Shawn Levy made film studios very happy directing big family-friendly comedies--including all three Night at the Museum movies. But to make Shawn Levy happy, he realized he was going to have to try something new. Now he's coming off a banner year as a producer, including a best picture nomination for Arrival and last summer's breakout Netflix hit, Stranger Things, which is up for 18 Emmys. Levy tells us how he set about reinventing himself, and how his early experience as an actor in a zombie horror movie helped him as a director.
FROM THIS EPISODE
Matt Belloni, editorial director of the Hollywood Reporter, joins Kim Masters to discuss top entertainment news stories of the week.
- Actor Ed Skrein dropped out of Hellboy in response to fan outcry about whitewashing. It's a significant move, and the first time an actor has ever willingly dropped out of a project for this reason, saying the role should go to someone whose ethnicity matches that from the source material, which in this case is Asian.
- With the kickoff of the Venice, Telluride and Toronto film festivals, Oscar season has officially begun. It's welcome relief for film lovers who are sick of comic book movies.
In July of 2016, Stranger Things on Netflix came seemingly out of nowhere to become the buzziest show of the summer. The show struck a chord with members of the TV academy as well. It’s now up for 18 Emmys, including Outstanding Drama Series.
The executive producer of Stranger Things is Shawn Levy -- who before last year was best known as a director of family-friendly comedies, notably the Night at the Museum franchise. The broad comedies had broad appeal: the three Night at the Museum movies, all directed by Levy, made more than a billion dollars worldwide.
But eventually Levy wanted to break out of his box. He began to expand the mission of his production company -- 21 Laps. Last year his efforts paid off in a big way. In addition to Stranger Things, he produced Arrival, nominated for eight Oscars including best picture and best director.
Levy has come a long way from where he began his career -- not behind the camera but in front of it. He tells us how acting in a cheesy horror movie helped him become a better director, how he convinced Hollywood to reconsider him, and what might be next.
More From The Business
Mike White on 'Brad's Status,' social media and ambition In writer-director Mike White's new movie Brad's Status, Ben Stiller plays a man consumed with jealousy of friends from college, based on their social media. White tells us why he wanted to make a movie about ambition in the age of Instagram, and the challenge of making humanist movies when the studios only want the next superhero franchise.
In ‘The Deuce,’ David Simon follows the money of the porn industry When David Simon started shopping his new show The Deuce--about the rise and legalization of the porn industry--he quickly realized a lot of networks didn’t quite grasp his seriousness of purpose. The creator of The Wire and Treme tells us how The Deuce ended up back at his longtime TV home, HBO, and why he ended up making a show about porn in the first place.
Chuck Lorre branches out with 'Disjointed' and 'Young Sheldon' TV writer-producer Chuck Lorre has created some of the most successful multi-camera broadcast sitcoms ever, including Two and a Half Men, and The Big Bang Theory. Now he's entering a new stage in his career with two projects -- the Netflix pot comedy Disjointed and the single camera show Young Sheldon for CBS--that are pushing him outside his previous purview.
For Billy Eichner, his time 'On the Street' got him an Emmy nom Billy Eichner has had recent roles in Hulu's Difficult People, Netflix's Friends from College, and in the upcoming season of American Horror Story on FX. But it's through his truTV game show, Billy on the Street, that he's in the Emmy race. He tells us about the evolution of his person-on-the-street antics and why not every celebrity is a good fit for the show.
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