magnificentwebsite.com In this four-part episode, MF Doom, in absentia, sends imposters to wear his steel gladiator mask and rap at his concerts. Joshua Cohen, author of Moving Kings, writes a novel live online while heckled by Reddit-grade hate speech. Novelist Fiona Maazel explores the nascent form of the podcast from a 4 am retirement home toilet seat, as performed by actor Zoe Lister-Jones. Brian McMullen recites his epic catalog of unclaimed URLs.
The Show About the Show About the Show In the vein of Werner Herzog, Larry David, and Spalding Gray, the radical documentaries of Caveh Zahedi find comedy in pushing social norms. His oddly life-affirming efforts to merge lived experience with art trigger the dissolution of his marriage. When our producer Rachel James visits the set of Zahedi’s The Show about the Show, she too becomes drawn into its inescapable vortex of metanarrative.
Private Ears This week we’ll hear from two artists whose work investigates the growing prevalence of surveillance in societies around the world. Both Lawrence Abu Hamdan and Trevor Paglen approach their art as investigations: They see themselves as detectives, trying to document, though sound and image, corporate and governmental operations that are difficult for the average citizen to see or hear.
Ravening for Delight Stephen King, Neil Gaiman, and the Alien movies all trace their tone of cosmic dread back to the horror writer H.P. Lovecraft, whose stories were published in pulp magazines in the 1920s and 30s. Paul La Farge’s latest novel, The Night Ocean, takes Lovecraft as its subject (or one of its subjects): It's a fictionalized investigation into Lovecraft's unusual relationship with one of his fans, a teenager named Robert Barlow.
The Voice is a Thief We explore the extremes of the human voice with essayist Elena Passarello, winner of New Orleans’ annual “Stella!” scream competition, in which participants channel Marlon Brando’s abject bawling. You’ll also hear Passarello’s rendition of how Koko, the gorilla with a lexicon of 1000 signs, tells the legendarily dirty vaudeville joke “The Aristocrats.”
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