If each episode of a podcast is an organ, an essential piece of a larger body, then this is an appendix to that body: a non-essential but still uniquely formed bonus episode. In it you’ll hear a hypnotic induction as performed and scored by the hypnotherapist Daniel Ryan. Ryan was featured on the Organist last week in our episode about the relationship between our bodies, our minds, and sound. One last note— it’s probably best if you stop operating heavy machinery while you’re listening to this podcast.
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The Gospel of Ndegeocello Meshell Ndegeocello’s debut album kicked off the era of neo-soul, inspiring Lauryn Hill, Erykah Badu, and D’Angelo. Twenty-three years later, Ndegeocello is still making art, but she’s expanded her medium with a new project that’s part theater, part church revival, with an unexpected saint at its center.
A 700-Foot Mountain of Whipped Cream From in utero to the studio, Clive Desmond gives us a history of the golden age of radio ads, featuring Frank Zappa, Ken Nordine, Linda Ronstadt, and Randy Newman. While the 1960s shift in print and TV advertising has been heavily documented and mythologized by Mad Men, Madison Avenue’s radiophonic collision with the counterculture is less well known. Here, in Clive’s private tour, each jingle becomes a Proustian madeleine.
Incense, Sweaters, and Altadena: An Interview with Martine Syms Fresh off her first solo show at the MoMA, Martine Syms talks with the Organist about how growing up in Altadena, a red-lined suburb of Los Angeles led to her fascination with DIY culture and conceptual art. Syms draws inspiration from both famed furniture designer Charles Eames and the Ten-Point Program of the Black Panthers as she pushes herself to continually experiment in new media and new forms.
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