FROM Antje Weser-Johnson
A turning point for Wende Museum of the Cold War Fifteen years ago Justinian Jampol began collecting the art, artifacts and detritus of the daily lives of people from the former Eastern Block. This was the foundation for the Wende Museum of the Cold War , which now has a collection of 100,000 objects ranging from statues of political leaders and state-sanctioned art to tea towels, restaurant menus, military uniforms and toys like the Pittiplatsch hand puppets beloved by children in former East Germany. It is the largest collection of Soviet-era art and artifacts outside of Europe. Now Wende -- German for "turning point" or "change" -- has gone through a big change of its own. It has moved from its longtime cramped space in a nondescript office park in Culver City to a permanent home in a space that comes with a nice historic twist: a National Guard Armory built by the US Army in 1949 with, says Jampol, "the explicit purpose of surviving a first strike of Soviet bombs." With a big assist from many supporters, including art and design book publisher Benedikt Taschen and designer and preservationist Michael Boyd, the concrete bunker-like building has become an open, light-filled, unadorned space with galleries formed by movable partitions. "Cold War Spaces" at the Wende Museum Photo by Michael Underwood The museum's inaugural exhibitions include Cold War Spaces, devoted to "public space, private space, Utopian space, secret space, outer space, etcetera. The show, says chief curator Joes Segal, is intended "to highlight different aspects of socialist life" from politicized public space to bunkers in the East Berlin Metro. It includes black and white photos of some choice Soviet-style brutalist architecture. So what do former residents of the Soviet Union think about this museum? DnA talks to women who grew up in East Germany, and finds the objects trigger nostalgia for the happy aspects of childhood in an oppressive society that they remember nonetheless as secure and safe. The Wende Museum's relaunch feels strangely timely, now the US is back in the shadow of the Cold War as a special prosecutor investigates whether the Trump campaign colluded with the Russian government to win the 2016 election. Justin Jampol promises lectures, programs and workshops that will engage the public in dialogue about past and present. He told DnA, "the museum has a responsibility and a chance to really be a forum for civic engagement around so many of these themes that directly relate to the Cold War era... Open up a newspaper or look online and it's stories of Russia, North Korea and walls and surveillance and spying. And so these are very Cold War themes but they're contemporary as well."
Shaking up the USDA, 'The Beef Cookbook' and 'Tartine All Day' Peggy Lowe explains why Trump’s pick for USDA Secretary is rattling rural America. Dario Cecchini talks future plans for Chianti ramen, and Richard Turner shares cuts from “PRIME: The Beef Cookbook.” Writer Matthew Sedacca looks at the controversy behind liquid smoke. Jonathan Gold tries Chengdu-style dishes, and Elisabeth Prueitt of Tartine fills us in on the latest. Plus, chef Michael Beckman shares a recipe for cactus confit.
How do Trump supporters feel about the Paris Accord? Globally and around the U.S., there are strong opinions whether or not the Paris Climate Accord is a good idea. The American exit is either a horrifying abdication of American leadership or a forceful and long overdue statement about U.S. sovereignty.
In 'Speechless,' Scott Silveri combines comedy, family & disability Scott Silveri has written and produced sitcoms for more than 20 years. In all that time, he never encountered a TV family that looked anything like the one he grew up in -- with a mom, a dad...and a brother with cerebral palsy. He changed that with his show Speechless on ABC. Silveri tells us about looking to his own past for stories, and why he was determined to make a family comedy and not just a "disability show."