FROM Betye Saar
At 90, Betye Saar still makes political art about race in America Betye Saar creates art out of objects she finds at flea markets and junk stores. In 1972 she made her name with a piece called “The Liberation of Aunt Jemima,” in which she reconfigured a mammy figurine to hold a broom in one hand and a shotgun in the other. Now she has a new exhibition called “Keepin’ It Clean” at the Craft and Folk Art Museum in LA. Betye Saar at the Craft and Folk Art Museum in LA (Photo by Gina Pollack) Saar says this white christening dress symbolizes the loss of innocence. It has words stitched to the bottom-- racist slurs for black children. (Credit: Craft and Folk Art Museum) Saar's "The Liberation of Aunt Jemima," 1972. (Credit: Collection of the Berkeley Art Museum)
Trump says goodbye Paris Accord: What does it mean for U.S. and the planet? President Donald Trump announced Thursday that the U.S. will withdraw from the Paris Climate Accord, the landmark international agreement to limit greenhouse gas emissions. Trump was to renegotiate a new deal, but will that happen?
Farewell LA freeways, Peter Shire is back Angelenos don't want more freeways but we seem not to want mass transit either. Metro has killed the 710 freeway extension, and bus and train ridership is down across the region. What's the future of getting around in LA? And, Peter Shire is having a comeback. What attracts a new generation to his playful ceramics and furniture?
Securing Public Spaces, Super Wealthy Asians Vehicles are increasingly being used as weapons, as seen in the London Bridge attack over the weekend and in New York’s Times Square last month. The Compton-based company Calpipe is designing security bollards to help make public spaces safer. And novelist Kevin Kwan satirizes the “crazy rich” Asian jet set and their luxurious tastes in his latest book, “Rich People Problems.”