FROM C. Fitz
The rise and fall of Jewel’s Catch-One, LA’s first black gay disco In this day and age, where gay marriage is legal, gays and lesbians can serve openly in the US Armed Forces, and gay, lesbian, and transgender characters can be seen all over film and television, it’s easy to forget the battles that were fought to bring about that change. One of the front lines in Los Angeles was Jewel’s Catch-One, a nightclub near the corner of Pico and Crenshaw in South LA. For more than 40 years, it was a haven for gays and lesbians, especially African Americans. A new documentary about Jewel’s Catch-One and its proprietor, Jewel Thais-Williams, is being screened at Outfest this year. Press Play speaks with Jewel and the film’s director, C. Fitz.
In 'Speechless,' Scott Silveri combines comedy, family & disability Scott Silveri has written and produced sitcoms for more than 20 years. In all that time, he never encountered a TV family that looked anything like the one he grew up in -- with a mom, a dad...and a brother with cerebral palsy. He changed that with his show Speechless on ABC. Silveri tells us about looking to his own past for stories, and why he was determined to make a family comedy and not just a "disability show."
Trump says goodbye Paris Accord: What does it mean for U.S. and the planet? President Donald Trump announced Thursday that the U.S. will withdraw from the Paris Climate Accord, the landmark international agreement to limit greenhouse gas emissions. Trump was to renegotiate a new deal, but will that happen?
Previewing James Comey's blockbuster testimony Former FBI director James Comey testifies Thursday in front of the Senate Intelligence Committee, but his opening statement has been released. In it, he says he felt pressured by Donald Trump to declare loyalty to him and publicly clear him of any wrongdoing in the Russia investigation.
George Saunders: Lincoln in the Bardo (Part I) Lincoln in the Bardo dramatizes a grieving President Lincoln as he visits the grave of his beloved son Willie, who died at age eleven. In the novel, the buried dead believe they're not dead -- "they're sick and refer to their coffins as "sick boxes."