FROM Evan Goldberg
Seth Rogen and Evan Goldberg John Horn of the Los Angeles Times talks with long-time collaborators Seth Rogen and Evan Goldberg. The two started writing together as 13-year-old boys in Vancouver, Canada, where they dreamed up the story for what was to become their biggest hit film, the 2007 Superbad. Now they have a number of movies under their belt as writers and producers including the cancer comedy, 50-50, and the failed superhero movie, The Green Hornet. They talk with Horn about making their directorial debut, This Is the End , how they got some raunchy comedy past the MPAA ratings board and how how they learned they need to make R-rated movies on small budgets. x
Why is Trump so behind on filling staff jobs, establishing concrete policies? Yesterday Donald Trump signed a “decision memo” to revamp the air traffic control system. But there was little legislative detail in the plan. There’s not much to other splashy announcements from the White House, including tax cuts and the arms deal with Saudi Arabia. And hundreds of positions are unfilled in federal agencies.
Accusations of lying fly between James Comey and White House During his testimony Thursday, former FBI Director James Comey accused President Trump and other White House officials of lying when they said the FBI was in disarray and its staff had lost confidence in him. President Trump’s lawyer said Comey was wrong -- that the president never asked for his loyalty, and never asked him to back off the investigation into former NSA director Michael Flynn.
Farewell LA freeways, Peter Shire is back Angelenos don't want more freeways but we seem not to want mass transit either. Metro has killed the 710 freeway extension, and bus and train ridership is down across the region. What's the future of getting around in LA? And, Peter Shire is having a comeback. What attracts a new generation to his playful ceramics and furniture?
George Saunders: Lincoln in the Bardo (Part I) Lincoln in the Bardo dramatizes a grieving President Lincoln as he visits the grave of his beloved son Willie, who died at age eleven. In the novel, the buried dead believe they're not dead -- "they're sick and refer to their coffins as "sick boxes."