FROM Gary May
The Accuracy of “Selma” Ava DuVernay’s Selma has come under fire from historians who say the film mischaracterizes Lyndon B. Johnson’s attitude towards the Voting Rights Act. We talk to an historian to sort out what’s historically accurate and what isn’t.
The Voting Rights Act Gets Another Day in Court Section 5 of the Voting Rights Act covers all of nine states and localities in seven others whose histories of racial discrimination in voting led Congress to require them to get federal permission whenever they change voting laws. First passed in 1965, after voting-rights marchers were attacked by sheriff's deputies in Selma, Alabama, it's been extended several times, most recently in 2006 , with huge majorities in the House and the Senate and the signature of President George W. Bush. Today it was lawyers for Shelby County, Alabama whose lawyers told the court the Act is not just out of date, but unconstitutional. During arguments today, the US Supreme Court was sharply divided. Justice Scalia called Section 5 a "racial entitlement." Supporters called it as relevant now as when it was enacted. We hear about the arguments, how they were received and the prospects for a decision in June.
Previewing James Comey's blockbuster testimony Former FBI director James Comey testifies Thursday in front of the Senate Intelligence Committee, but his opening statement has been released. In it, he says he felt pressured by Donald Trump to declare loyalty to him and publicly clear him of any wrongdoing in the Russia investigation.
Revisiting showrunner Steven Bochco on his memoir Steven Bochco, the writer-producer behind record-breaking Emmy winners Hill Street Blues, LA Law and NYPD Blue, fought battles with everyone from out-of-control actors to network censors in his long career. He isn’t afraid to tell those tales in his memoir, Truth Is a Total Defense. This week we revisit the conversation where he shared some of his favorite stories with us.
George Saunders: Lincoln in the Bardo (Part I) Lincoln in the Bardo dramatizes a grieving President Lincoln as he visits the grave of his beloved son Willie, who died at age eleven. In the novel, the buried dead believe they're not dead -- "they're sick and refer to their coffins as "sick boxes."