FROM Laura Mulleavy
The Fashion of Illusion Oscar-nominated actress Natalie Portman wears a Rodarte-designed tutu for Black Swan As fall collections hit the runways this week in New York, one of the hottest shows will be that of Rodarte , a Los Angeles-based fashion brand known for its unique melding of conceptual art and material science. Drawing inspiration from eclectic sources ranging from the ethereal quality of the California wilderness to the fantastical set design of sci-fi movies, the Pasadena natives Kate and Laura Mulleavy launched their fashion brand six years ago to almost immediate critical acclaim. The Mulleavys are also in the spotlight for designing the ballet costumes for Black Swan , the Oscar-nominated film directed by Darren Aronofsky. At their studio in downtown L.A., the sisters talk with Frances about creating frilly-yet-menacing tutus for the psycho-sexual thriller, and about the show Rodarte: States of Matter , which opens at MOCA Pacific Design Center next month. Racks of tutus made for Black Swan await their ballerinas Natalie Portman gets fitted for a tutu by Laura Mulleavy Rodarte gowns take their cues from pop culture and nature, like this dress inspired by slime A Rodarte piece inspired by horror films Models wearing unique Rodarte creations before strolling the runway How challenging is designing fashion for the movies? To find out, Frances heads to the opening of The Art of Motion Picture Costume Design at the Fashion Institute of Design and Merchandising. There she talks to fashion designer, FIDM instructor, and Project Runway alumnus Nick Verreos, who shows the artistry behind some of the costumes from over 20 films released in 2010, including Oscar-nominated films Alice in Wonderland and The King's Speech. Author Cathy Whitlock, who writes the blog Cinema Style , explains why production designers and art directors are essential to the art of illusion on film. Costumes from the Oscar-nominated Alice In Wonderland, designed by Colleen Atwood Helena Bonham-Carter's regal outfit in The King's Speech, designed by Jenny Beavan
Damon Lindelof on the end of 'The Leftovers' Writer-producer Damon Lindelof wrapped up the hit series Lost in 2010, and he still gets lashed by fans who hated the ambiguous ending. Now as Lindelof launches the final season of The Leftovers on HBO -- another series that revolves around a mystery -- he still cares what people think of his work, but this time, he's stay far away from Twitter.
Symbols of protest, lighting up EDM festivals The Women's March made a huge impact, in part because of its widely worn pink knitted "pussyhat." Does the March for Science need its own unifying symbol? Lighting designer Steve Lieberman is "the man behind the lights" for the country's leading electronic music festivals and nightclubs. He talks about his early experiences with rave culture, and what it takes to spark the excitement of today's EDM fans.
Bassem Youssef and Sara Taksler on 'Tickling Giants' Known as the "Jon Stewart of Egypt," Bassem Youssef hosted a satirical news show that was the first of its kind in the Middle East. The show was immensely popular, until the military-backed government forced Youssef off the air and out of the country. Youssef and director Sara Taksler tell us about their documentary Tickling Giants, which profiles Youssef’s leap from heart surgeon to super star satirist.
San Francisco, Santa Clara challenge Trump's sanctuary policies San Francisco and Santa Clara have filed suit to block President Trump’s executive order to withdraw federal funding from cities that don’t cooperate with federal immigration officials. A hearing is set for Friday.