FROM Mary Bradley
David Duchovny Wry, thoughtful, but not detached, David Duchovny (House of D, Trust the Man, Bones) ironic yet emotional approach to acting gave The X-Files a center and also grounds his satiric new film, The TV set.
Scott Frank From Little Man Tate to Out of Sight, screenwriter Scott Frank (Get Shorty, Minority Report) has written scripts about emotional honesty in intense situations. His first film as director, The Lookout, continues in that vein.
John Frizzell Composer John Frizzell's score have covered a wide and deep expanse, from the excentricity of Office Space to the large-scale registers of Alien Resurrection. He talks about The Reaping, and bringing the music in his head to the movies.
Quentin Tarantino Writer-director Quentin Tarantino works when he wants to on what he wants. Reserve Dogs, Pulp Fiction, Jackie Brown, the Kill Bill films and, now, his newest part of a double bill, Death Proof.
Chris Rock Chris Rock's first film as actor and director, Head of State, was a comedy about a black presidential candidate. His newest, I Think I Love My Wife, is, for him, even more political, a romantic comedy about the black middle class. He'll see if he can get your vote.
Rory Kennedy Documentary filmmaker Rory Kennedy (American Hollow) has melded her curiosity to subjects of social injustice. Her new documentary, Ghosts of Abu Ghraib, took on different shadings as she learned.
Anne Beatts In 1975, a comedy series connected to the politics and pop culture of young people, NBC's Saturday Night Live debuted. Its first season is now on DVD. Anne Beatts, one of a handful of women writers on the original Saturday Night Live, drops in to talk about being a pioneer among a group of pioneers.
Gay Talese Writer Gay Talese's fame as a journalist began with his fine profiles for Esquire and continued with non-fiction books such as Honor Thy Father and Thy Neighbor's Wife. With his new book, A Writer's Life, he turns his eye on himself.
James Sanders The book, Scenes from the City: Filmmaking in New York, is not only a sumptuous and evocative photo-history of New York filmmaking, it's a sharp and compelling look at city's cultural and social history through cinema. Its editor, James Sanders (co-writer or the Emmy Award-winning PBS series New York: A Documentary Film and its companion volume, New York: An Illustrated History, as well as Celluloid Skyline: New York and the Movies), connects the dots, from Marlon Brando to Woody Allen.
George Miller There's not as big a gap between the Mad Max cycle of films, the Babe movie and Happy Feet as you might think. They all come from filmmaker George Miller, whose instincts as a entertainer also connect to using film as fable. He discusses the difference between making film for kids and for adults.
Gary Groth on Fantagraphics and the art of the graphic novel Gary Groth, editor of Fantagraphics, publisher of some of the most notable graphic novels today, discusses the rise of comics, what makes a good graphic novel, and what his selection process is like.
Mayor Garcetti on housing, homelessness, and sanctuary rhetoric LA Mayor Garcetti explains his plans to create more housing and help get the homeless out of tent encampments. Also, is he going to run for governor?
Trump's budget could deal a painful blow to California President Donald Trump’s proposed cuts to the Environmental Protection Agency, Housing and Urban Development, and public education would reverberate throughout California.