FROM Robert Zemeckis
Robert Zemeckis and Tom Rothman: The Walk Robert Zemeckis and Tom Rothman discuss difficulties in large studio filmmaking and the balance of making an "anti-authoritarian" film that the entire family can enjoy.
Zemeckis Director Bob Zemeckis earned fame and power in the movie business with successful films like Back to the Future, Castaway and the Oscar-winning Forrest Gump. But for the last 12 years he's been devoted to making motion-capture movies (Polar Express, Beowolf) and he's found himself the object of skepticism and criticism. His new film is Flight starring Denzel Washington as a gifted pilot who miraculously lands a plane in free fall despite the fact that he's drunk. This adult drama was made for the relatively low budget of $31 million. Zemeckis and Washington cut their fees for the film, and Zemeckis used elaborate previs to be able to shoot the plane crash on the cheap. Zemeckis talks about how in today's Hollywood, filmmakers and studios need to work together to do that. He also defends the value of motion-capture technology, and talks about how he's decided to abandon his long-held plans to remake The Beatles' Yellow Submarine.
Trump says goodbye Paris Accord: What does it mean for U.S. and the planet? President Donald Trump announced Thursday that the U.S. will withdraw from the Paris Climate Accord, the landmark international agreement to limit greenhouse gas emissions. Trump was to renegotiate a new deal, but will that happen?
Previewing James Comey's blockbuster testimony Former FBI director James Comey testifies Thursday in front of the Senate Intelligence Committee, but his opening statement has been released. In it, he says he felt pressured by Donald Trump to declare loyalty to him and publicly clear him of any wrongdoing in the Russia investigation.
Farewell LA freeways, Peter Shire is back Angelenos don't want more freeways but we seem not to want mass transit either. Metro has killed the 710 freeway extension, and bus and train ridership is down across the region. What's the future of getting around in LA? And, Peter Shire is having a comeback. What attracts a new generation to his playful ceramics and furniture?