FROM Seth Stevenson
When Political Ads Go Wrong Ads are usually part of any respectable campaign of dirty tricks. But sometimes, the ads play dirty tricks on the candidates. For instance, early this year, Marco Rubio was running an ad with a very America-specific message, but the skyline featured in it is actually in Vancouver, Canada. This is a prime example of the dangers of using stock footage in a campaign ad. What else has gone wrong?
How do our Superheroes define us? Kids and delayed adolescents aren’t the only Americans drawn to Superheroes in comic books and multiplex theaters. Serious scholars are studying the mythological archetypes that get contemporary audiences to spend so much money. Out of all the available archetypes, which ones are going out of style—and who’s most likely to make a comeback? Students of cultural archetypes say that superheroes rise and fall in popularity according to the needs of their times. Batman’s been very big since September 11th—the angry avenger who’s willing to bend the rules in order to get things done. Is it time for a change? Options include the empowered underdog, like Spiderman. Or the Trickster represented by Iron Man. Is Superman just two squeaky clean for a comeback? What mythology will most appeal to American audiences in an era of economic uncertainty and political polarization?
Trump's budget could deal a painful blow to California President Donald Trump’s proposed cuts to the Environmental Protection Agency, Housing and Urban Development, and public education would reverberate throughout California.
Building homes near freeways, 'Rick Owens: Furniture' The White House wants to roll back fuel economy standards. Could that mean more air pollutants coming out of car tailpipes -- just as LA is seeing a surge of home construction along freeways? And a fashion world provocateur, Rick Owens, talks about designing furniture inspired by land art and brutalist architecture, and raising existential questions on the runway.
George Saunders: Lincoln in the Bardo (Part I) Lincoln in the Bardo dramatizes a grieving President Lincoln as he visits the grave of his beloved son Willie, who died at age eleven. In the novel, the buried dead believe they're not dead -- "they're sick and refer to their coffins as "sick boxes."