Excerpt from 'American Linden'

book.jpgAmerican Linden

poems
By Matthew Zapruder

Tupelo Press

Copyright © 2002 Matthew Zapruder
All right reserved.

ISBN: 0-9710310-9-6


Contents

Sweet Jesus..................................................3
The Artist Must Incline His Head Just So.....................4
I Go Out to Meet Them........................................6
Whoever You Are..............................................8
Sometimes Leaving............................................10
Blueprint....................................................11
Before the Poem..............................................12
Mind the Gap.................................................13
View Onto the Balcony........................................14
Summer Camp..................................................16
Park Slope...................................................18
A Colossal Historical Blunder................................19
September First..............................................21
The Invisible City of Kitezh.................................22
The Path to the Orchard......................................23
Coda.........................................................27
The Book of Leaves...........................................30
Cupola.......................................................32
Lean To......................................................34
The Blue Lights..............................................35
Tiburon......................................................36
The Book of Paintings........................................38
New Haven....................................................39
A Return.....................................................40
School Street................................................43
What Exists..................................................44
A History of Petersburg......................................45
The House Across the Water...................................46
Not Me, Not You..............................................49
Spring.......................................................50
Kick the Can.................................................52
Arcadia......................................................53
The Book of Oakland..........................................54
Friends of Olivia............................................57
These Windows................................................58
Warning: Sad.................................................60
The Book of the Old World....................................61
Do You Remember..............................................62
Scarecrow....................................................63
The Book of Waves............................................65
American Linden..............................................66
The Book of the Broken Window................................69
I Am a Sculptor..............................................71
Ten Questions for Mona.......................................73
I Have a Friend..............................................75
So Be It.....................................................77
The Book of the Wrong Kind of Blue

 

Chapter One

SWEET JESUS Tea, tea, butter, the structure. We were discussing the death of iambic pentameter, though we didn't know it. She said with the notch above her lips I have a perfect ass and I thought the thing about asses is they're not perfect, they have a kind of fatal flaw, but I wasn't going to argue with such a proud collection of stumbling convergences. I wanted to say, can I stick my eyes down your throat? but what emerged was those eyebrows, are they for rent? How are they tragic? By announcing a mountainlessness that aches for its climbers, a brow that needs no announcing, lips that shift as mapped by insomnia, one hidden rippling bone that can never. A patio floated by. About us a Cambridge was revolving. Somewhere marriage was discussing a couple flattened by the new gravity of summer, but it wasn't us, we were refusing to cross that most glorious breed of slowness. I vow I will touch you always more distant stranger. THE ARTIST MUST INCLINE HIS HEAD JUST SO Often I have an idea and say it immediately. If people praise me I wear the world shyly on top of my head. At times I'm compelled like a fever to float without any distinctions, a sea of tin cans, love letters and greed. The world is good for my pleasure and consumption. I admire it totally, it stands like a mountain inside and outside me. Some art may be good, some dishonest. There's no pressing need for conscription or liberty, though a carful of people rides down the highway too fast, clouded in song. My lack of compassion astounds me, and must not come to know itself. It's true, I've never done anything quite like striking you across the face. There is of course the question of fate, and whether it can be angered. Example: when not overpowered by grief there are proper and improper ways to mourn. In such cases my gestures are shadows cast far from myself by one who crawls through the library, touching the books that she touched. I have dream after dream and forget each one. I GO OUT TO MEET THEM Terrible flowerbox on my shoulders unbuilt by the gold claws logic and lightning, speak the last word, rewrite me. Dead bird passing me like a friend, dead bird frozen in snow I was frozen in happiness you're so beautiful. With tiny golden claws you built the painted book of afternoon afternoon stared into. You said the world must have a border. You renounced the borderless world. You said the world must have two claws, one frozen in happiness, one lit with gold laughter past me gliding, a bicycle under a friend. A man coughs therefore the end of the world. Therefore down alleys that do not yet exist I resolve to greet each person more sadly. To put music back in a drawer. To remove it only when it needs me. What kind of music pins my sleep with gold thread among the elms? Blossoms die in my hand as I prune them, you can't win election, you can't prosecute night though we all heard it chuckling idea of love. Idea of love in a white dress bewildered, I'd prefer each friday not be so sundown. I'd prefer my memory dizzy from dancing for the memory of dancing for soldiers. Light and wind put me down in this room. Night has only one use for me. Branches come closer, bringing snow to my bedside. The chairlift how to remember mounts up to a lake nobody knew in the stars. WHOEVER YOU ARE As the wayward satellite believes its rescuers will come with white and weightless hands, and the rescuers turning and floating believe in their tethers and all those uninspected latches, as madness believes in the organizing principle, and allows it to strap her down on the gurney, and the tiny island believes the sound of a harp will arrive on the wings of a gull, as the olive believes it is filled with light, and its oil will someday grace a god's tongue, as my arms flail outwards and strike my forehead in belief of a vestigial prayer process, and I believe to allow them such historical pleasure is hardly harmless from time to time, as the transistor radio hears the woman muttering and believes she requests she be buried in the front yard with only her knitting far from her husband the master of stratagems, and weeping daughters once believed their father had coated each grassblade with poison and woke one morning to some twigs on the lawn to believe they were dead starlings, as the mountain believed it could stay hollow long enough to return the tunnellers home, and their wives believed in trying to believe that rumble through clear skies was thunder, I believe that is not what you wanted, for you are only a guardian geared to one particular moment conjectured in no saintly book of apocrypha when slowly at last the trucks will pull into a warehouse shot through with shadows and wherever I am I will see candles floating on the ritual arms of two dark canals and you will allow me to step I believe into the mechanism and tear off your wings SOMETIMES LEAVING Throughout the era of the tiny blemish to the left of her eyebrow I wandered clumsy as a high school in late afternoon, locked around glowing cylinders of dust, construction paper logic, echoes of correct answers suppressed. Sometimes leaving a room can snap your heart like a limb, and not because there's anything in it. For them, my seascape of dresses impervious and young careless hiding search for care under brims, I revealed behind my lecture on refusal, but never myself believed myself saying lips live best among the slow drape of hair, especially raven. Time of winter like correspondence delayed I did not yet remember how on the counter your hands would sleep unessential as summer, while overhead the churning silver impossible winged away and away from description surveying our impasse with one eye pretending the other's not glass, the car stolen and returned unnoticed except for the jangle of hey those aren't my glasses, the pleasure of the utterly faked confession, or the intimate public pleasure of glances down the eyes of young mothers. The eyes of young mothers sleepwalk clutching a hairbrush. So many times I hypothesized you actually standing before this painting of blue time choosing at last from wherever into my foot. And I'm glad to have it. It was probably lonelier than me. I swear I won't doctor you, or make you better, or even good. You can contact your friends if you have them in whatever manner, maybe radiating. BLUEPRINT I fumble downstairs like some old early riser who has just dreamed of mowing the lawn with his cane. One glass, some water and a tea bag may be the forgotten alchemy of destruction. The sea has withdrawn from the kitchen, leaving one small whale which moans on the floor. Spiders congregate on the dark wall, whispering Have you heard about the insomniac dyslexic atheist? The children's book who went to the marriage counselor? The olive stuck on a desert island with a fan? Alas, what is forbidden? The sun rose while I was pouring. I must have hit the switch. Tomorrow, the dew will be a little colder, and a few more leaves will creep through the mail slot. The sun is a good conversationalist, if a little relentless, and inclined to peer into my desk drawer, but it knows the appropriate moment to go feed the morning glories. I've laid out a compass, the porcelain boxes, some colored chalk, a few photographs of diving birds, and an atlas of mineral behavior. Look, here's the future of Asia Major. There are several rivers in need of a washing. See what happens after forty years of moonlight? No eclipses until my thumb stops this talking. After zero and equal there were thoughts. All I had to do was create the world. How I wish I didn't know what endless preparations go on in that houseboat beached at the end of the cul-de-sac. For a long time I have felt a cloud in my pocket, where I keep a promise, but I don't know why. BEFORE THE POEM Morning plays a fine false tune in the crook of the tree. I get up to dance, I sit down. Each leaf is a possible ending. Great events are taking place in the house across the street. Four actors rehearse a play I have written and left on their threshold. Their shadows move from window to window, disappearing and reappearing. I could shrink the world into a clouded watchglass, this is proven. No matter which way I swivel my head, there is light on the edge of the teacup. I turn back from a great abyss. MIND THE GAP A little portrait of me lies in the flowerbed, making allusions, watching her comb her hair. She sings into the shattered mirror: "But you will last as long as the rose, as long as the glass, glass tulips ..." A can opener smiles on the night table. I remember she loved and feared the dark. Whenever the horses broke loose her heart trembled under my hand like a bat. We'd huddle all night in bed, counting. The horses filled us with the ineffable grandeur of their silent pounding, or something like that. Mostly I liked not knowing what to expect. The sun looms angrily, high above, stranded. She walks, or rather meanders towards my portrait chanting "Phillip, your green thumbs, the envy of All Wales." Each wisp of her hair grows larger, they wave and shine like snakes you can see through. How strange. She bends over me, blocking the sun. VIEW ONTO THE BALCONY The conductor shuffles his scores in the din as the orchestra conjures and tunes. A boatman stares down at the water. Reflected, a few gulls cry and draw the name of a place. Chin to her chest, she wears a slumped necklace of bone. The rest of space hangs a blue cape on her shoulders. She rocks, half in the boat and half in her chair. The orchestra clatters to one long roaring tone, dying out into the cavern which stands silent before the great action. We rise and applaud, madly, the musicians puzzled, ready to begin their obliteration. The auditorium is quiet again, except for wind opening a glass door onto the balcony. Two pigeons keep their eggs hidden in a pile of droppings and feathers. Dark hills in the background rise up over the black railing. Who will hear moss creep down the slope over the child's knucklebone lost in the grass? The music, as quiet as it was, could only begin to fill up the hall with the name we forget, already perfect beyond recognition. SUMMER CAMP The day is wearing a white lab coat. It is experimenting on us, which is funny until you stop thinking about it. Today I am going to drive my car up into the mountain of distraction where with my cat, Helix, I shall picnic. Towards him I feel only slightly parental. Only enough to feed him tiny slivers of moral instruction which he devours daintily without blinking. Helix doesn't have a twin. He is grey, and his left front paw hurts him, though he has never spoken of it. Past the blankness of his irises is a lake of sadness, from which he was torn many months ago, his mouth and tongue frozen in a repetition of searching. His mother was a sofa, a whole neighborhood of comfort, support, understanding, doors left unlocked, kick the can, let's leave the neighbors with the kids without even formally informing them and drive a car of distraction along the vanished town of Calico up into the mountains where we shall picnic. His father was a cloud, as are all the fathers of cats. Try to find one. The trail leads through wet grasses down to the culvert where I taught myself to smoke like a wet idea from which I have just withdrawn, leaving only the tenderness. There was a girl named Holly. We knew each other in the park. We were pineys. (Continues...)


Excerpted from American Linden by Matthew Zapruder Copyright © 2002 by Matthew Zapruder. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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