What’s in a frock? Schlock, horror, and much more, when it’s designed by the Mulleavy Sisters of Rodarte. Join Kate and Laura Mulleavy as they discuss creating the ballet costumes for Oscar-nominated Black Swan, their upcoming MOCA show and their fall line. Also, Cathy Whitlock on the sets that tell a story and Nick Verreos on the movie costumes you can see in the flesh. And a visit with Jerome and Evelyn Ackerman, on a life of love and creativity, now on display in the Craft and Folk Art Museum's Marriage of Craft and Design.
FROM THIS EPISODE
Oscar-nominated actress Natalie Portman wears a Rodarte-designed tutu for Black Swan
As fall collections hit the runways this week in New York, one of the hottest shows will be that of Rodarte, a Los Angeles-based fashion brand known for its unique melding of conceptual art and material science. Drawing inspiration from eclectic sources ranging from the ethereal quality of the California wilderness to the fantastical set design of sci-fi movies, the Pasadena natives Kate and Laura Mulleavy launched their fashion brand six years ago to almost immediate critical acclaim. The Mulleavys are also in the spotlight for designing the ballet costumes for Black Swan, the Oscar-nominated film directed by Darren Aronofsky. At their studio in downtown L.A., the sisters talk with Frances about creating frilly-yet-menacing tutus for the psycho-sexual thriller, and about the show Rodarte: States of Matter, which opens at MOCA Pacific Design Center next month.
Racks of tutus made for Black Swan await their ballerinas
Natalie Portman gets fitted for a tutu by Laura Mulleavy
Rodarte gowns take their cues from pop culture and nature, like this dress inspired by slime
A Rodarte piece inspired by horror films
Models wearing unique Rodarte creations before strolling the runway
How challenging is designing fashion for the movies? To find out, Frances heads to the opening of The Art of Motion Picture Costume Design at the Fashion Institute of Design and Merchandising. There she talks to fashion designer, FIDM instructor, and Project Runway alumnus Nick Verreos, who shows the artistry behind some of the costumes from over 20 films released in 2010, including Oscar-nominated films Alice in Wonderland and The King's Speech. Author Cathy Whitlock, who writes the blog Cinema Style, explains why production designers and art directors are essential to the art of illusion on film.
Costumes from the Oscar-nominated Alice In Wonderland, designed by Colleen Atwood
Helena Bonham-Carter's regal outfit in The King's Speech, designed by Jenny Beavan
Laura Mulleavy, Fashion designer and co-founder of Rodarte (@OfficialRodarte)
Kate Mulleavy, fashion designer and co-founder of Rodarte (@OfficialRodarte)
Nick Verreos, Fashion designer and instructor at the Fashion Institute of Design and Merchandising
Cathy Whitlock, Author on costume design, fashion, and film
Evelyn and Jerome Ackerman on opening night of A Marriage of Craft and Design: The Work of Evelyn and Jerome Ackerman, 2011. Image: Noel Bass
There's perhaps no better topic for the day after Valentine's Day than the husband-and-wife design team Jerome and Evelyn Ackerman, who have turned their passion for design into a lifetime creative partnership. The mid-century designers are well-known for their iconic ceramics, tile mosaics, woodcarvings and textiles, many of which are on show at the Craft and Folk Art Museum in an exhibition named A Marriage of Craft and Design: The Work of Evelyn and Jerome Ackerman, 2011. Frances visits the 91- and 87-year-old designers at their Culver City home to hear about their lives as a designing couple.
Selection of functional ceramic vessels, slip-cast earthenware, Jerome Ackerman, 1953-59. Image: Steve Oliver
Young Warrior, glass-tile mosaic, Evelyn Ackerman, 1955. Image: Steve Oliver
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