Men, Women & Children touches many nerves, but then pinches and twists them with its ham-handed approach to social commentary.
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BlacKkKlansman Spike Lee doesn’t mince words in “BlacKkKlansman.” He ignites them, and illustrates them with inflammatory images. This is a freewheeling account of an African-American cop who infiltrated the Ku Klux Klan in the early 1970s. It’s uneven as narrative drama, but stunning as a furious, in-your-white-face outcry against racial hatred in America’s past and turbulent present, with pointed references to President Trump.
Mamma Mia! Here We Go Again Yes, the glee is industrial-strength, and the ABBA-fueled production numbers are so far over the top that the film is both topless and chaste. Yet there’s a wellspring of genuine feeling in “Mamma Mia! Here We Go Again,” a time-hopping sequel that amounts to an origin story.
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