Easy endings to difficult problems? Dominique Morisseau's play "Skeleton Crew" is a feel good play about an auto plant closing. It takes place in the break room of a Detroit auto plant. Times are tough. Plants are closing all over the place. People are losing their jobs, their dreams. And there are rumors that this plant might be next. That's got this play’s quartet of African-American characters on edge.
A little stinky is okay - but too much and the whole thing's a mess It's June - which for Los Angeles intimate theater means it's time for the Hollywood Fringe Festival. Now, if you've never done the fringe, it's a bit like doing a tasting menu with a drunk chef. Everything happens quickly, some things are brilliant, some experiments are catastrophes, and almost everything goes better with a wine pairing.
An unsatisfying journey Mfoniso Udofia's play at Boston Court is not a satisfying play. In the opening scene of “Her Portmanteau,” Iniabasa certainly does not look satisfied. She's at arrivals at JFK - she's just flown here from Nigeria with a big tattered suitcase, the “portmanteau” of the title.
Perverse magic of LA’s intimate theaters You know that moment at the bookstore when you're browsing the serious, literary classics and the salacious cover of something pulpy catches your eye? It's that same impulse that has you order a plate of cheese fries. You know it's not going to be good for you, but god is it satisfying. "Forever Bound" by Steven Apostolina is the theatrical equivalent of that moment.
Better than Cats Two facts you need to know before you go see "Soft Power" David Henry Hwang and Jeanine Tesori's new musical at the Ahmanson. One, weeks after the 2016 election, playwright David Henry Hwang was walking home in Brooklyn when he was brutally and mysteriously stabbed in the neck - this really happened. Two, that election? Hillary Clinton didn't win. Both these facts are critical dramaturgical departure points for "Soft Power."
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