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How to Be in Two Places at Once: The Firesign Theatre in the US and Vietnam As four comedians trained in poetry and psy-ops, Firesign Theatre created dense, album-length art-objects that could take multiple spins to understand. Their comedy took the form of inscrutable and often abrasive soundscapes that reviewers were as likely to call “frightening” as “funny.” This week, we explore how these albums were listened to collectively: in groups, teenage house parties, poet John Ashbery’s pot smoke-filled living room, and military bases in Vietnam.
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