Everybody's got a hustle. If you go see Sarah Jones' one woman show " Sell/Buy/Date " at the Geffen Playhouse, I'll bet you that someone in the seats near whispers during the show "wow, she's good." It's that kind of performance: one designed to elicit appreciation for its technique and virtuosity.
Shamelessly preaching to the choir It took me three hours to fall in love with Taylor Mac's "A 24-Decade History of Popular Music." Before I can even begin to explain what's so extraordinary about the show, or why 3 hours makes up barely act one, I have to orient you to the it of it.
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