(a poet's novel)
By Eileen Myles

OR Books

Copyright © 2010 Eileen Myles
All right reserved.


ISBN: 978-1-935928-04-1



Chapter One

My English professor's ass was so beautiful. It was perfect and full as she stood at the board writing some important word. Reality or perhaps illusion. She opened the door. With each movement of her arms and her hand delicately but forcefully inscribing the letters intended for our eyes her ass shook ever so slightly. I had never learned from a woman with a body before. Something slow, horrible and glowing was happening inside me. I stood on the foothills to heaven. She opened the door.

There were a bunch of us in Eva Nelson's world literature class who had gone to catholic school. Nobody was that different, 18-year-old kids who had grown up going to the Blessing of the Fleet, hooting and drinking beer, who went to Sacred Heart, who played against Our Lady. Hardly anyone in the class was really that different. Everyone it seemed to me lived in a roughly catholic world. But those of us who knew nothing else—we were especially visible. When we had a thought, an exciting thought we'd go: Sst. Sst. Like a batch of little snakes. We meant "Sister." Sister, pay attention to me. Call me now.

Eva Nelson had been teaching Pirandello. What we really are considering here: and now she faced us with her wonderful breasts. I know that a woman when she is teaching school begins to acquire a wardrobe that is slightly different from her daily self. How she exposes herself to the world. For instance later in the semester I went to a party at her house in Cambridge and she sat on her couch in her husband's shirt. He was a handsome and distant young man named Gary, he was the Nelson and she wore his shirt and you really couldn't see her breasts at all but she had a collection of little jerseys, tan and peach, pale gold and one was really white I think. Generally she dressed in sun tones—nothing cool, nothing blue. Nothing like the airy parts of the sky, but the hot and distant tones of the sun and her breasts were in front of me, I was looking at her face and I knew I was alive.


On television in my favorite shows I had already begun to see how things could be slightly different—or utterly different like a man could flip his daily quarter towards a newsstand and it would land just cause it jounced against all the other shiny coins and it landed on its edge. And all that day the man could hear the thoughts of people in the street, his wife and his secretary, even his dog. It was crazy and the next morning he threw his coin again. Hey said the regular Joe who sold him the paper every day. Some guy did that yesterday and I've been—hey you're that guy. The two guys' faces really human faces got big and the music you never noticed till now, the music stopped playing. Hey you're that guy. Yeah it's me.


There was something really covered about childhood. I think it was the nuns. With their pint of ice cream hats with the black thick flowing cloth that grazed the surface of the schoolyard and the oiled wood floors of my school, the nuns enclosed the world with sanity and god. The rules flowed up and down the calendar and around the clock and in the day the sky, the world was rules—known by god the nuns said.

Eva Nelson had fantastic breasts that jounced in her explanation of modernity, of no way out, of vagueness, of the burden of insecurity and the possibility of something else—that this could be a dream, all of it. If the flip of a coin could release a torrent of multivocal glee—well maybe it was a dream. We didn't know, we couldn't, this was our condition.

The next book we will read she said, pulling the shade on existentialism for the moment, is a much older text. It's part of the tradition, but is a very modern book, quite political. She had this cute glint when she was being smart which was always. She wasn't big smart, she didn't clobber you with words. She just kind of befriended us like wolves but she believed that wolves were good and could be taught too. But she was from New York, was Jewish and had been born intelligent. She was blonde. Are Jews blonde. I didn't know. I would learn so much more. Sometimes her jersey was nearly green but that was as dark as it got.

Dante really had no other way to talk about his time except in a poem. The Inferno is a heavily coded poem. It's not about censorship but something else. It was an age of not even satire but allegory. His beliefs were fixed in the structure of his poem like the windows of a church. Her eyes twinkled. Oh my god.

And I'll give you a clue. She paused while she spoke so that each phrase could catch up in our thought. It wasn't like she thought we were dumb. I could feel her eyes meeting mine. You're not dumb Eileen. She knew me. And this was the best moment of all. Before any of the incidents that would change my life irrevocably I felt she already knew me. I sat in her class on Columbus Ave. in the Salada Tea Building in Boston on a Tuesday afternoon and I was seen—before words before anything. She would pause and let the words catch up. We had time.

I want each of you to write an Inferno. The class groaned. It's just his time. This is yours. She smiled.


It was ours now. I would show her my hell.


Getting home was the hardest thing. I lived in Arlingon which was really pretty close to Boston, but you're probably getting the idea it was another world. All this light was flooding in and out of my head in the dirty city where I came for my classes and then I went home. Basically I would either hang out till Louise was free, she was this girl I just met from Lexington or else I would take the T myself. As soon as I started going home I got depressed. So it was a bad feeling coming and if I wanted a ride I had to wait, feeling rottener and rottener by the moment or else I just started the sorry trip back.

Boston was irrational. Arlington Street all fluffy and bright with glass and dark churches. You took a trolley to Park Street. Stand there looking at the ink drawing of Boston on the subway walls. Boston was not for Boston. Why would you want to look at a picture of where you were. Boston was looking out. It was no place, I felt. People came here.

Everyone was old and tired on the trolley. Jump off at Park, every step being so hard like underwater, onto the red line, standing there waiting to go to Harvard Square. The bus to Arlington was the greatest defeat. It wasn't college at all. The bus turning at Gordon's Furniture, passing the fire station where the bus had passed all my life. Walking up Swan Place like a child, and so much going on in my head. I was a light.


My family was like living with cruel cats. Someone would turn as you entered a room. Oh it's you. So I waited for the night when I could be by myself and work.

Are you going to leave that light on? My mother stood in her nightgown squinting at me. Just for a while I said. Didn't she know this was my desk? It was white and brown, the brown being formica, cool. Sometimes in utter hopelessness I put my cheek on the table like it was someone. I wanted to wake my brain up and be loved. The brown was fake wood and there was a basket with not-so-good apples in it and basically sat on my desk there in my world, the college night and I ate the apples and I made black coffee and I would think.

So I had to write a poem. Dante did this thing called terza rima which meant each stanza was in three lines. And then of course there was a whole rhyme thing. When I was in grade school I could write poems about anything it was just a thing I could do. I was like this joker and it got around that I could do this thing and kids would ask me to say one. What about her? It was like some girl across the street in her scout uniform. Girl scout, girl scout dressed in green/never think a thought obscene ...


I didn't get why this is so hard. Weren't all catholics counting and measuring with their bodies, all day long in and out? Poetry was probably different now. Because Eva Nelson is thinking about the whole world. So I probably could put in Eldridge Cleaver, and Teddy Kennedy is kind of a jerk, so I should let her know that I just don't like anyone because he's catholic. I'm not easy like that. William F. Buckley is kind of smart ...


But the poem. Exhilarating. Typing was always the hard part. The paper was so soft and sticking, the little correction pieces always looked better than the page with the little letters flying around. I think I had never typed a poem before so it was hard to return to the left side exactly because my royal slipped.

However I knew because I made a map of the poem and I used my fingers as well, counting, and it fit and it sounded good and the poet was tired and I was tired and I had stayed up all night.

Eileen, didn't you go to bed?

I remember feeling a little flipped out when I saw everyone else dropping their infernos on Eva Nelson's desk. They had written papers. Oh my god. Did I do something wrong. It was easy for me to do the play thing: I had done this for years. Whenever I could draw or write in school, do a play or something I would do it—a special project. The nuns assumed I was a little bit retarded so someone dumb would be allowed to be different if they were quiet and I wouldn't flunk out.

If you did something special then time would stop and you could dream. The thing I had hated about growing up was that everyone wanted you to wake up and pay attention. I would only worry, worry all the time and this would just get worse and worse. That school could be about books, that your work could be thinking and dreaming gave me so much hope but what if I was wrong. I felt sick and didn't talk about it at all in Louise's Corvair swinging around Fresh Pond, up Route 2, I was home.


Okay, and she smiled. Eva Nelson looked particularly happy today. Once in a while she would wear a medallion, she had one on today. It meant something I guessed. It divided her breasts, I couldn't look. It meant something though. People were still coming in. She looked like she had a secret, a surprise. Something good to say. I was quiet. I moved with the room. It was spring.

I'm giving your papers back today. A couple of them were very impressive. I've certainly gotten a sense of your politics now, we live in a much more complex moment than Dante's time so I think you all tried your best to accommodate the world we know. I think it was hard. It was like she was teasing us. Some people laughed like they were in on the joke. I was never them. But I felt a lot.

One person actually wrote a poem. Eileen, would you allow me to read it to the class?

There are moments when I've literally felt drowned in life. When circumstances have lead to a moment so rife with possibility, a possibility that you can't possibly understand. It's like you are in your shoes, you continue to breathe, sit—other people around you. One or two smile and turn. People you know. I remember Arlene going Leena like even she knew the lid was being flipped off my world.

Yet I would go home. I would have supper in Arlington and my brother and sister would turn as I entered the room oh it's you. I would throw myself down on the couch and I would sing along with my favorite songs. I would close my eyes. I would sing along. Maybe I would go to graduate school. I would get drunk this weekend, meet someone cute, probably make out. I loved to kiss. I loved to get lost in a drunk embrace. Somebody else, to feel I could turn into that, get lost in a moment of not caring. A woman would kiss me one day. I even felt it. Perhaps I would not always live in Boston. I would travel. My life would change. All the details of my life were in exact order and yet I was tumbling in them—out of order like a tremendous wave had hit me and I was thrown off the ship and I awoke or dreaming, or dead I knew not—no I couldn't speak.

I don't remember her reading. I remember her reading me. I remember her reading my poem. I remember her holding something I wrote, a gleaming page, mine, that rolled out of the sad typewriter on the kitchen table at 33 Swan Place. My father had given us that typewriter, it wasn't even mine yet, it was ours, the family. It would be mine when I left home. I was already gone, I would take it with me, but everyone sat in class now listened while Eva Nelson stood there and read my inferno. The waves rolled on and on.

We should talk, Eileen. Maybe we could make an appointment. I was like a mute dog. I snatched the poem from her hand and walked into the hall. I can see my face standing on the elevator with many other faces looking out. And on the train and up the street, I smiled and I smiled.

Cause I could know myself, that's all. Some lazy thing I could always do because I was dumb and not normal, but special . . . something crazy—maybe that could be my job? I had that thought just briefly one tiny light and then it was gone.


the poetry field


My stepbrother had given my number to this young woman. She called one afternoon when I was standing in my kitchen on Thompson St. I was broke as usual and I think I hadn't had anything to eat that day, maybe a roll, and I had a couple of cigarettes left and definitely no current plan. I was beginning to sweat. Just a light sweat from moderate hunger, and then some feeling. Just a feeling that I might not even go out, even though I had a big problem, kind of big, so obviously I picked up the phone when it rang.

I met your brother Eddie at O'Henry's. In Greenwich Village she added as if that was supposed to impress me. He's my stepbrother I said. The girl never even hesitated. O'Henry's was right. I had drinks with him there at least once. It was expensive, and though I always pictured the candy bar I knew it was supposed to be writerly. My stepbrother was an advertising man, and according to my family, a real writer. Not a deluded poet like me. Uh huh I said holding the phone looking around at the light in the kitchen, the day and the thin prospects it held. He said you might be able to tell me about opportunities in the poetry field. The poetry field, I thought not even bothering to pull the phone away from my ear like they do on teevee and look at it in disbelief. The poetry field, that's good. I wonder if my stepbrother was screwing around. She sounds nuts. So I was wondering if you'd want to meet for a drink. I'm new in town.

Do you know this bar on Waverly Place. It's downstairs, it's very cute and I think artistic types hang out there. The Locale, I filled her in—yeah that's not far from me. So do you want to meet? Four's good, I said hanging up and looking around. Out my window were hundreds of other windows of people looking in or not. I always thought of Rear Window.

One morning—I'm not sure this had happened yet, but it will give you a feeling about the life, I had just gotten up pretty late. Mostly in those days I was waitressing. I was waitressing and I was "straight" but I thought about girls. Usually I'd close the place and move on to another place with whoever was around. I like being with an anonymous crowd I can smother myself in. I looked like anyone else, and I was part of a generation that was just fine with that. I had long hair, not bad-looking I'd like to point out. But one morning I was lying on my mattress and the phone rang. It was on the floor across the room. I stumbled over records and books. On the third ring I picked it up. Is this Eileen Myles. Uh, yes. I was naked and I'd been up drinking late last night I felt fat. Do you live at 105 Thompson St. I do. Maybe it was a contest. Well we have a gun trained on you right now. Drop to the floor. And I did. Now, I'd like you to—at that moment I realized I could just hang up and I did. When the girl called I was standing in front of all those windows in my home.


I put on a white shirt, I looked in the mirror, dug my hands in my pocket and came up with thirty-seven cents. I brought a bag so it looked like I had something. I threw in a book. I wore no socks it was early fall, an unemployable time. She sounds young, pathetic, I thought, but she probably has money. Maybe she'll buy me a drink. I just gotta move, I thought closing the door.


And she did. She bought me a shot of Hennessy's. I got you Hennessy's she grinned as if she had done a really good thing and she knew how to live. She was young, if I was twenty-five she was twenty-one or twenty-two. From Sioux Falls she said. She looked like that. She had long straight reddish-blonde hair, lots of light freckles, and had a little flat twang in her voice. She ran fast, she had that kind of twittering energy. You couldn't tell if she was smart, but she was accomplished. She could get around but she wasn't hip. And she wanted to be a writer. She told me about going to you know like Harcourt Brace and Jovanovich with her notebook, getting past reception and marching in on some editor in the top of some tall building and getting them to look at her notebook. She was so nuts, but it seemed sort of great. What did they do, I asked. They were really nice she said so they said I should meet some other writers and maybe I should go downtown.



Excerpted from INFERNO by Eileen Myles Copyright © 2010 by Eileen Myles. Excerpted by permission of OR Books. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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