Listen Live
Donate
 on air
Schedule

KCRW

Read & Explore

  • News
  • Entertainment
  • Food
  • Culture
  • Events

Listen

  • Live Radio
  • Music
  • Podcasts
  • Full Schedule

Information

  • About
  • Careers
  • Help / FAQ
  • Newsletters
  • Contact

Support

  • Become a Member
  • Become a VIP
  • Ways to Give
  • Shop
  • Member Perks

Become a Member

Donate to KCRW to support this cultural hub for music discovery, in-depth journalism, community storytelling, and free events. You'll become a KCRW Member and get a year of exclusive benefits.

DonateGive Monthly

Copyright 2026 KCRW. All rights reserved.

Report a Bug|Privacy Policy|Terms of Service|
Cookie Policy
|FCC Public Files

Back to The Business

The Business

Thomas Kail, director of 'Grease: Live'

As Grease: Live opens, performer Jessie J sings “Grease is the Word” as she winds her way through bustling high school sets, backstage hallways, dressing rooms and even outdoors in one long, single shot.

  • rss
  • Share
By Kim Masters • Aug 19, 2016 • 1 min read

As Grease: Live opens, performer Jessie J sings “Grease is the Word” as she winds her way through bustling high school sets, backstage hallways, dressing rooms and even outdoors in one long, single shot.

That dynamic opening set the pace for the rest of the live production, which premiered on Fox in January of this year. Grease: Live is the most recent production in a spate of musical revivals embraced by broadcast networks in search of the high ratings that come with live events.

More than 12 million people tuned in to watch Rydell High’s Sandy and Danny, played by Julianne Hough and Aaron Tveit, reminisce on those summer nights, be born to hand jive, and of course, experience an electrifying carnival connection.

Grease: Live is a technically complex production that’s constantly in motion. Cameras follow a large cast over multiple locations and incorporate an audience that’s actually sitting on set. The show received 10 Emmy nominations, including one for our guest, director Thomas Kail.

Kail is also the Tony-winning director of Lin-Manuel Miranda’s Broadway juggernaut Hamilton. Before that, he directed Miranda’s first Broadway musical, In the Heights.

When Kail recently talked to host of The Business, Kim Masters, he recalled that his very first encounter with Miranda--while they were both students at Wesleyan--wasn’t exactly positive. Fortunately, they would go on to reconnect after Kail graduated.

  • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

    Kim Masters

    partner/writer at Puck News, host of KCRW's “The Business.”

  • KCRW placeholder

    Michael Schneider

    Senior editor at Variety

  • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

    Kaitlin Parker

    Producer, 'The Business' and 'Hollywood Breakdown'

  • KCRW placeholder

    Thomas Kail

    Film Director

    CultureEntertainmentArts
Back to The Business