Listen Live
Donate
 on air
    Schedule

    KCRW

    Read & Explore

    • News
    • Entertainment
    • Food
    • Culture
    • Events

    Listen

    • Live Radio
    • Music
    • Podcasts
    • Full Schedule

    Information

    • About
    • Careers
    • Help / FAQ
    • Newsletters
    • Contact

    Support

    • Become a Member
    • Become a VIP
    • Ways to Give
    • Shop
    • Member Perks

    Become a Member

    Donate to KCRW to support this cultural hub for music discovery, in-depth journalism, community storytelling, and free events. You'll become a KCRW Member and get a year of exclusive benefits.

    DonateGive Monthly

    Copyright 2026 KCRW. All rights reserved.

    Report a Bug|Privacy Policy|Terms of Service|
    Cookie Policy
    |FCC Public Files|

    Back to The Treatment

    The Treatment

    Wes Anderson

    Martin Scorsese once called Wes Anderson (Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou) his logical heir. Is it the way Anderson creates tension in the room or did Scorsese one day imagine Anderson at work in stop-action animation? The director of Fantastic Mr. Fox joins Elvis Mitchell on The Treatment.

    • rss
    Download MP3
    • Share
    By Elvis Mitchell • Dec 9, 2009 • 28m Listen

    Martin Scorsese once called Wes Anderson (Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou) his logical heir. Is it the way Anderson creates tension in the room or did Scorsese one day imagine Anderson at work in stop-action animation? The director of Fantastic Mr. Fox joins Elvis Mitchell on The Treatment.

    Anderson, who loved the Roald Dahl book on which the film is based, explains how he got permission from the Dahl family to use 'Danny, the Champion of the World' in his screenplay, and that he cast George Clooney, not because of his voice but because he'd always wanted to work with him. He reveals why he made the animals American and the humans British, and how he based the movements of Rat (voiced by Willem Dafoe) on the choreography of Bob Fosse. Finally, he discusses finding inspiration in Ray Harryhausen and the Brothers Quay, the importance of doing a stop-motion animation film with fur, and how this style involves more decision-making than a live-action film.

    Banner image: Greg Williams

    • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

      Elvis Mitchell

      host of KCRW’s The Treatment

    • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

      Gemma Dempsey

      Producer of Global Gig Guide, The Treatment

      Culture
    Back to The Treatment