Listen Live
Donate
 on air
Schedule

KCRW

Read & Explore

  • News
  • Entertainment
  • Food
  • Culture
  • Events

Listen

  • Live Radio
  • Music
  • Podcasts
  • Full Schedule

Information

  • About
  • Careers
  • Help / FAQ
  • Newsletters
  • Contact

Support

  • Become a Member
  • Become a VIP
  • Ways to Give
  • Shop
  • Member Perks

Become a Member

Donate to KCRW to support this cultural hub for music discovery, in-depth journalism, community storytelling, and free events. You'll become a KCRW Member and get a year of exclusive benefits.

DonateGive Monthly

Copyright 2025 KCRW. All rights reserved.

Report a Bug|Privacy Policy|Terms of Service|
Cookie Policy
|FCC Public Files

Ibrahim Sylla, The Quincy Jones of West Africa & Afro-Latin via Cotonou

A wonderful series of West African reissue compilations have recently been released:  Afro-Latin Via Dakar (Senegal), Kinshasha (Congo), Conakry (La Guinée), and most recently, Via Cotonou (Benin, formerly Dahomey).  All…

  • Share
By Tom Schnabel • Sep 13, 2011 • 1 min read

I’m to do a piece on the excellent program, PRI’s The World tomorrow. It will be on Afro-Latin via Cotonou. I’ve chosen this collection because while many fans know about Congolese rumba, the Senegalese music by the great Orchestra Baobab, not everybody knows about the bands based in Cotonou, capital of Benin. Most people probably don’t know where Benin is, its rich cultural and artistic heritage, let alone what the capital city is. Bands include Los Commandos de Cotonou, Supermen de Cotonou, Black Santiago, Negro Jazz, Gnonnas Pedro, and last, and probably the greatest band of all, Polyrhytmo de Cotonou.

These collections come via Syllart Productions in Paris. Ibrahim Sylla, who founded the label was born in Abijan, Ivory Coast, but moved as a child to Dakar, Senegal. He later studied at the University of Paris. He has introduced artists and bands such as Youssou N’Dour, Orchestra Baobab, and Malian diva Oumou Sangare and countless others. He is the Quincy Jones of West African music.

When running a short-lived label at A&M Records in the early 90s—Horizon Records–I went to Paris to license music from Polygram France to put out domestically. I also sought an audience with the venerable Sylla. He arrived at the café in robes and babouches, the pointy slippers West Africans wear.

I asked him politely in my best French if he wanted something to drink: “Est-ce que vous voulez quelque chose à boire?”

–“Non, bois pas, Ramadan.” (I don’t drink, it’s Ramadan.)

I continued: “Do you want something to eat?”

–“Non, mange pas, Ramadan.” (I don’t eat, it’s Ramadan.)

Then he looked directly into my eyes and asked, “Combine vous voulez depenser?” (How much money do you plan on spending?) His producer’s sensibility was fully alert to new opportunities and he obviously saw cash flow coming his way.

We never got to produce anything, because the label folded. But I’m very happy to see any of his productions come out. The Afro-Latin series is superb and highly recommended. Syllart Productions is a great enterprise and enhances the worldwide spread of the African music gospel.

If you want a superb book that depicts many of his productions, I also recommend a great book by Florent Mazzoleni called “L’Epopée de la Musique Africaine”—The Epic of African Music. It’s filled with album cover art and lots of info, and although it’s all in French, there are plenty of tantalizing photos and cover art.

  • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

    Tom Schnabel

    host of KCRW’s Rhythm Planet

    Music NewsRhythm PlanetWorld MusicBest New Music