Listen Live
Donate
 on air
    Schedule

    KCRW

    Read & Explore

    • News
    • Entertainment
    • Food
    • Culture
    • Events

    Listen

    • Live Radio
    • Music
    • Podcasts
    • Full Schedule

    Information

    • About
    • Careers
    • Help / FAQ
    • Newsletters
    • Contact

    Support

    • Become a Member
    • Become a VIP
    • Ways to Give
    • Shop
    • Member Perks

    Become a Member

    Donate to KCRW to support this cultural hub for music discovery, in-depth journalism, community storytelling, and free events. You'll become a KCRW Member and get a year of exclusive benefits.

    DonateGive Monthly

    Copyright 2026 KCRW. All rights reserved.

    Report a Bug|Privacy Policy|Terms of Service|
    Cookie Policy
    |FCC Public Files|

    Back to Design and Architecture

    Design and Architecture

    'Film and Furniture’ helps you decorate in the style of your favorite movies

    Production design helps to serve the storyline and characters in a film or TV show, but is it meant to whet your appetite to buy stuff?

    • rss
    • Share
    By Frances Anderton • Dec 18, 2018 • 1 min read

    Production design helps to serve the storyline and characters in a film or TV show, but is it meant to whet your appetite to buy stuff?

    Yes, if you are a reader of the popular site “Film and Furniture,” a web publication created by Paula Benson, a brand specialist based in London.

    Benson explains that Film and Furniture started as an “elaborate blog,” to inform people about the stories behind the furniture, décor and home accessories that you might spot in the movies, as well as where to purchase them.

    “Have you ever been watching a film and found your gaze lingering on a gorgeous chair or carpet or a dining table? I'm sure it has,” Benson said. “Mine does all the time and I literally lose the plot studying all the design details that go up to make a film set. I'm pretty obsessed with furniture and interior design and accessories, anything to do with set decoration and production design in the movies.”

    DnA talks with Benson about the design objects she recommends as gifts, such as the brass Lily candlesticks designed by the Swedish sculptor Ivar Ålenius Björk, which appeared in Joan Harris’s (Christina Hendricks) dining room table in Mad Men: Season 6, Episode 9.

    Benson also includes barware and glassware, such as copper mugs shown in “Better Call Saul,” the heavyweight Italian glasses that appeared both in “Blade Runner” and “Blade Runner 2049,” and the famed rug from the Overlook Hotel in “The Shining” that Benson herself has licensed.

    No, says Benson, adding, “it’s literally born out of things that we love or we think our audience will be interested in and we track them down and talk about the hidden narratives that these objects have and how they contribute towards the plot or story of a movie.”

    She also discusses why objects validated by movies can be so alluring, whether a bad movie can ruin a good object or a movie can be too stylish.

    And she reveals the directors she loves and why production designers are the unsung heroes of movie-making.

    • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

      Frances Anderton

      architecture critic and author

    • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

      Avishay Artsy

      Producer, DnA: Design and Architecture

    • KCRW placeholder

      Paula Benson

      editor of the web publication “Film and Furniture”

      CultureEntertainmentDesign
    Back to Design and Architecture