A little stinky is okay - but too much and the whole thing's a mess It's June - which for Los Angeles intimate theater means it's time for the Hollywood Fringe Festival. Now, if you've never done the fringe, it's a bit like doing a tasting menu with a drunk chef. Everything happens quickly, some things are brilliant, some experiments are catastrophes, and almost everything goes better with a wine pairing.
An unsatisfying journey Mfoniso Udofia's play at Boston Court is not a satisfying play. In the opening scene of “Her Portmanteau,” Iniabasa certainly does not look satisfied. She's at arrivals at JFK - she's just flown here from Nigeria with a big tattered suitcase, the “portmanteau” of the title.
Perverse magic of LA’s intimate theaters You know that moment at the bookstore when you're browsing the serious, literary classics and the salacious cover of something pulpy catches your eye? It's that same impulse that has you order a plate of cheese fries. You know it's not going to be good for you, but god is it satisfying. "Forever Bound" by Steven Apostolina is the theatrical equivalent of that moment.
Better than Cats Two facts you need to know before you go see "Soft Power" David Henry Hwang and Jeanine Tesori's new musical at the Ahmanson. One, weeks after the 2016 election, playwright David Henry Hwang was walking home in Brooklyn when he was brutally and mysteriously stabbed in the neck - this really happened. Two, that election? Hillary Clinton didn't win. Both these facts are critical dramaturgical departure points for "Soft Power."
Straying from a mission to fulfill a promise About 10 minutes into Antaeus Theatre Company's production of "Native Son", a black man accidentally kills a drunk white heiress. With most structurally sound plays, that would be enough. We have our moral crisis. We have a protagonist and a powerful question - "what will society do when a black man in 1939 accidentally kills a white woman?"
Weaving an audience’s soul It's a sold out opening night of "the theater is a blank page" and even though there are only 80 of us in the audience - we're in the very last rows of the balcony at Royce Hall. Even stranger, it looks like we've come to the end of a tech rehearsal. All the rest of the seats are covered with white muslin. The stage, befitting the title, is mostly empty.
Struggling to find the right language "ICE" is the story of an undocumented immigrant who comes in search of the American dream in the 1980's. We see him work a full day at a construction site only to be paid less than half of what was promised. When confronted the boss says basically "look you've got no papers, I can do what I want." We see this pattern repeat while he struggles to live his dream - converting an old ice cream truck into a gourmet taco truck.
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