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Greater LA

At LA’s first-ever piñata exhibit, no blindfolds are necessary. Just bring your art appreciation

Piñatas are often the centerpiece at parties, birthdays, and quinciñeras. But they’re also artistic objects that have been overlooked. One art exhibit wants to change that: “Piñatas: The High Art of Celebration” at Craft in America in Mid-City.

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By Steve Chiotakis • Sep 29, 2021 • 11m Listen

Piñatas are often the centerpiece at parties, birthdays, and quinciñeras. Put a partygoer in a blindfold, spin them around, and let them swing a bat at the piñata hanging above. Can they crack it open to reveal all the treats inside?

But beyond being good party fare, piñatas are works of art. In the past, their artistry has often been overlooked. That won’t be the case any longer.

“Piñatas: The High Art of Celebration” is LA’s first-ever piñata exhibition at Craft in America in Mid-City.

Emily Zaiden, the lead curator and director, says that they “are handcrafted objects that are beautiful, creatively designed, made with care and love, and also that we discard.”

Yesenia Prieto is a third-generation piñata maker and the founder of Piñata Design Studio, where they make custom piñatas. Growing up, her father was a sculptor and her mother was a piñata maker, so she was exposed to both art and the tradition at an early age. Now she sees a lot of crossover between the two.

Making piñatas is a really laborious and involved process, says Prieto. “You have to learn so many different types of mediums, [like] painting, graphic design. You have to understand different adhesives, you have to understand different kinds of paper, different kinds of cardboard, [and] how [to] add texture.”

Beyond the visuals, Prieto sees piñatas as a symbolic experience. “Everything that is recognized as art, it's beautiful, it sends a message and makes you feel something. It brings people together. All those elements are involved in what we [as piñata makers] do,” she says.

The tradition started in China with clay piñatas for holiday celebrations. People believe that Marco Polo and other explorers who traveled to China ended up bringing the tradition to Western Europe, Spain, and Italy. Then, it is likely that missionaries brought it from Spain to Mexico and Central America as a tool of indoctrination, according to Zaiden.

She says, “They were used for all kinds of ceremonies and festivities. People would be blinded with a blindfold over their faces, and then they would swat at piñatas that were then generally made also of ceramics. And of course, the shards would go flying everywhere.” She adds that money and/or candy were stored inside.

From there, she says, “We arrive to the tradition becoming so widespread and popular in Mexico, and onward into the U.S, and it being adopted here and popularized all across the country. And of course, you can buy piñatas now at Target.”

“Piñatas: The High Art of Celebration” showcases 50 works from 15 different artists and collectives from the U.S. and Mexico. It runs through December 4.

  • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

    Steve Chiotakis

    Afternoon News Anchor

  • KCRW placeholder

    Christian Bordal

    Managing Producer, Greater LA

  • KCRW placeholder

    Jenna Kagel

    Radio producer

  • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

    Kathryn Barnes

    Producer, Reporter

  • KCRW placeholder

    Emily Zaiden

    Director and lead curator, Craft in America

  • KCRW placeholder

    Yesenia Prieto

    Piñata maker and founder, Piñata Design Studio

    CultureArtsLos AngelesRace & Ethnicity
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