FROM Alex Amerri
Do You Want to Ride Your Bicycle? If you think LA is a city of cars and freeways, think again. Rising energy prices, choking traffic and worries about the environment may turn tomorrow’s southland into a world full of commuter cyclists and green roofs. Plus, an ecological designer on green-roof design, a SCI-Arc graduate on his favorite building in Los Angeles, and architect Cesar Pelli talks about his new Segerstrom Hall, opening next month in Orange County.
Trump cuts protections for ICE detainees, and Alaska saves Obamacare With the crackdown on illegal immigration, jail space is becoming harder to find. So the Trump administration is cutting back some of the regulations on immigrant detention centers. Also, when it comes to healthcare, Alaska’s insurance marketplace was on the brink of implosion until the state came up with a plan to save Obamacare.
Neutra landmark, Thom Mayne's home, I.M. Pei turns 100 Pioneering architect Richard Neutra's Silver Lake home has been added to the list of national historic landmarks, with an assist from Rep. Adam Schiff. Thom Mayne's new house in Cheviot Hills replaces the former home of writer Ray Bradbury, and the neighbors like it! Paul Revere Williams posthumously gets AIA's top prize, and I.M. Pei turns 100.
'A Square Meal,' a kosher slaughter and Ukrainian Easter eggs Historian Andrew Coe explains how the Great Depression altered the 1930s’ food landscape, and contributor Sam Brasch witnesses a kosher slaughter. Artist Sofika Zielyk shows us how to decorate Ukrainian Easter eggs, Sandor Katz discusses his latest fermentation projects, and Dana Cree introduces her new book, “Hello, My Name is Ice Cream.” Plus: Laura Avery finds Swiss chard at the market, and Jonathan Gold dines at Kismet.
In 'Free Fire,' Ben Wheatley wants to "meet the audience halfway" British filmmaker Ben Wheatley has built up a cult following with his hyper-violent, darkly funny movies. His newest film Free Fire is an action comedy starring Brie Larson, Armie Hammer, and a whole lot of guns. The movie has the broadest commercial appeal of any of his work to date, but it's still a Ben Wheatley film, which means, spoiler alert...a lot of people die.