FROM April Wolfe
Will 'The Insult' win the Oscar for Best Foreign Film? Our critics review “Hostiles,” in which an Army general has to escort a Cheyenne chief home; “A Futile and Stupid Gesture,” a biopic about one of the founders of National Lampoon; and “The Insult,” which received an Oscar nomination for Best Foreign Language Film of the Year.
Oscar nominations are out -- it's a big day for 'The Shape of Water' “The Shape of Water” leads this year’s Academy Awards nominations with 13, including best picture and best director. We talk about the big contenders, and whether the Time’s Up movement factored into this year’s nominations.
With one reporter left at LA Weekly, what's next for the paper? Wednesday, new owners at the LA Weekly laid off nine of the paper’s 13 editorial staffers. There isn’t much clarity on what’s next for the publication. The new owners remain mostly a mystery -- they’ve kept their identity veiled through a newly created company named Semanal Media.
Is there still an appetite for 'Saw' movies? Our critics review “Jigsaw,” the first movie in the “Saw” series in 10 years; “All I See Is You,” in which Blake Lively plays a blind woman who regains her sight; “Suburbicon," directed by George Clooney and starring Matt Damon and Julianne Moore; “Novitiate,” about a young woman who joins a convent in the 1960s.
Does 'The Glass Castle' film adaptation live up to the memoir? Our film critics review “The Glass Castle,” an adaptation of a memoir by former gossip columnist Jeannette Walls, about her childhood and vagabond family; “Ingrid Goes West,” which stars Elizabeth Olsen as an Instagram influencer; and “The Trip To Spain,” starring Steve Coogan and Rob Brydon.
How filming rape scenes affects actors and producers We’re seeing a lot more rape scenes these days, especially on TV. Think “Game of Thrones,” “The Handmaid’s Tale,” and “Room.” That means there are more people -- in front of and behind the camera -- who are in the business of simulating sometimes brutal scenes.
In 'Guardians of the Galaxy Vol. 2,' how well does Vin Diesel play Baby Groot? Our critics review “Guardians of the Galaxy Volume 2,” starring Chris Pratt and Zoe Saldana; “The Lovers,” about a husband and wife who each have an affair; and “3 Generations,” about a trans boy played by Elle Fanning.
'One Week and a Day' combines grief and humor Our critics review “The Circle,” starring Emma Watson and Tom Hanks; “One Week and a Day,” which focuses on a couple mourning their son who just died, apparently of cancer; and “Sleight,” about a young street magician and drug dealer trying to make a better life for the magician’s little sister.
21 years later, the 'Trainspotting' guys are back Our critics review the live-action reboot of “Beauty and the Beast,” starring Emma Watson; “T2 Trainspotting,” with Ewan McGregor and Jonny Lee Miller; and the new Terrence Malick film “Song to Song.”
'The Great Wall:' Political satire or just another action flick? Our film critics review “The Great Wall,” set in China and starring Matt Damon; the horror anthology “XX,” which features women writers, directors and lead actors; and another thriller called “A Cure for Wellness.”
Why is Trump so behind on filling staff jobs, establishing concrete policies? Yesterday Donald Trump signed a “decision memo” to revamp the air traffic control system. But there was little legislative detail in the plan. There’s not much to other splashy announcements from the White House, including tax cuts and the arms deal with Saudi Arabia. And hundreds of positions are unfilled in federal agencies.
Industry insights and lessons learned from memorable guests We have interesting guests on The Business, and sometimes our conversations are too long to fit into one show. This week we give you stories that were too good to leave on the cutting room floor, including some sharp insights on making it in the industry from David Mandel, David Simon, Shawn Levy and Matt Reeves.
In 'Speechless,' Scott Silveri combines comedy, family & disability Scott Silveri has written and produced sitcoms for more than 20 years. In all that time, he never encountered a TV family that looked anything like the one he grew up in -- with a mom, a dad...and a brother with cerebral palsy. He changed that with his show Speechless on ABC. Silveri tells us about looking to his own past for stories, and why he was determined to make a family comedy and not just a "disability show."