FROM Benh Zeitlin
'Beasts of the Southern Wild' Filmmaker Benh Zeitlin doesn't have an MBA. In fact, he doesn't even know what one is. He's an artist -- a writer, director, composer-- who spent his early 20's looking for a way to live cheaply so that he could make his art. He made short films with groups of friends, family and non-professionals in the manner people approach making a community art project. The term for their unconventional filmmaking method is Court 13 . And they achieved some success on the festival circuit with their 2008 short film Glory at Sea. That got the attention of the financier Cinereach and the Sundance Labs. And it was those two entities that empowered them to make their first feature. Beasts of the Southern Wild , with its winning performances by two people who'd never acted before -- Quvenzhane Wallis (a six-year-old girl) and Dwight Henry (a local baker), has become a favorite movie of 2012. Now Zeitlin and the rest are on Hollywood's radar but he's sure they won't get corrupted by the business. Benh Zeitlin with Quvenzhane Wallis
Securing Public Spaces, Super Wealthy Asians Vehicles are increasingly being used as weapons, as seen in the London Bridge attack over the weekend and in New York’s Times Square last month. The Compton-based company Calpipe is designing security bollards to help make public spaces safer. And novelist Kevin Kwan satirizes the “crazy rich” Asian jet set and their luxurious tastes in his latest book, “Rich People Problems.”
George Saunders: Lincoln in the Bardo (Part I) Lincoln in the Bardo dramatizes a grieving President Lincoln as he visits the grave of his beloved son Willie, who died at age eleven. In the novel, the buried dead believe they're not dead -- "they're sick and refer to their coffins as "sick boxes."
Farewell LA freeways, Peter Shire is back Angelenos don't want more freeways but we seem not to want mass transit either. Metro has killed the 710 freeway extension, and bus and train ridership is down across the region. What's the future of getting around in LA? And, Peter Shire is having a comeback. What attracts a new generation to his playful ceramics and furniture?