FROM Christopher James Alexander
Overdrive One of the first shows to open is the Getty's own, called Overdrive: L.A. Constructs the Future, 1940–1990 . It's curated by Wim de Wit and Christopher James Alexander of the Getty Research Institute, and it's huge, with plans, models, archive footage taking us back to the era when LA was taking flight – spreading residential development far and wide, building a state-of-the-art airport, building its aerospace and oil industries, not to mention its pop culture, like Disneyland. Chris Nichols, author of the " Ask Chris " column in Los Angeles magazine and member of the LA Conservancy's Modern Committee , knows the period as well as anyone. Listen for his review of the show, as well as his unapologetic embrace of onetime ability to drive ones car door to door. Walking – not him!. The 1950s lifestyle was, in his view, "So luxurious, I just love it so much."
Why did Jared Kushner want a back channel with Russians? News broke Friday that President Trump’s son-in-law and senior advisor, Jared Kushner, tried setting up a back channel between the Trump transition team and the Russian government. What are the consequences for Kushner, President Trump, and the investigation into Russian meddling?
Why is Trump so behind on filling staff jobs, establishing concrete policies? Yesterday Donald Trump signed a “decision memo” to revamp the air traffic control system. But there was little legislative detail in the plan. There’s not much to other splashy announcements from the White House, including tax cuts and the arms deal with Saudi Arabia. And hundreds of positions are unfilled in federal agencies.
In 'Speechless,' Scott Silveri combines comedy, family & disability Scott Silveri has written and produced sitcoms for more than 20 years. In all that time, he never encountered a TV family that looked anything like the one he grew up in -- with a mom, a dad...and a brother with cerebral palsy. He changed that with his show Speechless on ABC. Silveri tells us about looking to his own past for stories, and why he was determined to make a family comedy and not just a "disability show."