FROM Christopher James Alexander
Overdrive One of the first shows to open is the Getty's own, called Overdrive: L.A. Constructs the Future, 1940–1990 . It's curated by Wim de Wit and Christopher James Alexander of the Getty Research Institute, and it's huge, with plans, models, archive footage taking us back to the era when LA was taking flight – spreading residential development far and wide, building a state-of-the-art airport, building its aerospace and oil industries, not to mention its pop culture, like Disneyland. Chris Nichols, author of the " Ask Chris " column in Los Angeles magazine and member of the LA Conservancy's Modern Committee , knows the period as well as anyone. Listen for his review of the show, as well as his unapologetic embrace of onetime ability to drive ones car door to door. Walking – not him!. The 1950s lifestyle was, in his view, "So luxurious, I just love it so much."
George Saunders: Lincoln in the Bardo (Part I) Lincoln in the Bardo dramatizes a grieving President Lincoln as he visits the grave of his beloved son Willie, who died at age eleven. In the novel, the buried dead believe they're not dead -- "they're sick and refer to their coffins as "sick boxes."
Farewell LA freeways, Peter Shire is back Angelenos don't want more freeways but we seem not to want mass transit either. Metro has killed the 710 freeway extension, and bus and train ridership is down across the region. What's the future of getting around in LA? And, Peter Shire is having a comeback. What attracts a new generation to his playful ceramics and furniture?
How do Trump supporters feel about the Paris Accord? Globally and around the U.S., there are strong opinions whether or not the Paris Climate Accord is a good idea. The American exit is either a horrifying abdication of American leadership or a forceful and long overdue statement about U.S. sovereignty.