Colin Callender on KCRW
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‘Gone to the Wolves’ brings LA’s 1980s metal scene back to lifeBusiness & Economy
In John Wray’s new novel “Gone to the Wolves,” the characters travel from Florida swamps to the 1980s Sunset Strip to Norway –– all in the name of metal.
Encore: ‘Marcel the Shell’ creators bring beloved tiny creature to the big screenEntertainment
This week, The Business revists a conversation with the creators of “Marcel the Shell With Shoes On.”
Pavolva for Mother’s Day, film reviews, the end of Title 42Food & Drink
Pavlova features a soft-centered crunchy meringue that plays with whipped cream and fresh fruit. This time of year, berries are the star.
Cheryl Strayed and Liz Tigelaar on ‘Tiny Beautiful Things,’ WGA strike reactionsEntertainment
“Tiny Beautiful Things” series creator and showrunner Liz Tigelaar and author Cheryl Strayed discuss the kismet of their collaboration and adapting the acclaimed book into a Hulu…
Steven Yeun on working on dark comedy series ‘Beef,’ making ‘Minari’Entertainment
Steven Yeun discusses his fears in taking “Minari,” why he and his “Beef” co-star broke out in hives after production wrapped, and how Netflix’s offer for the series was too good to…
Meridian Brothers activate ‘El Grupo Renacimiento’ Live From KCRW HQArts
Meridian Brothers, the experimental project of Columbian composer Eblis Alvarez, brings “El Grupo Renacimiento” to life at KCRW HQ.
Owen Wilson, Scott Z. Burns, and Abraham Josephine Riesman on The TreatEntertainment
Owen Wilson on embracing failure in “Paint,” “Extrapolations” writer Scott Z. Burns on art and climate change, and writer Abraham Josephine Riesman on hope in dystopia.
Laurence Fishburne, Garrett Bradley, and Alex Borstein on The TreatEntertainment
This week on The Treatment, we listen to Elvis’ recent conversation with actor Laurence Fishburne from the Freep Film Festival in Detroit last month.
Film and TV writers are ‘starving’ for better contract as strike beginsEntertainment
Screenwriters have walked off the job, bringing many film and TV productions into limbo. Here’s what that means for the industry, workers, and viewers.