Emile Hirsch on KCRW
More from KCRW
Crenshaw Dairy Mart’s first film festival: Stories of abolition, healing
ArtsThe Crenshaw Dairy Mart put on its first film festival in Inglewood after hearing from BIPOC filmmakers that they need more spaces to showcase their work in LA.
Ed Zwick recounts his ‘Glory Days’; Disney dishes Q1 surprises
EntertainmentKim Masters and Matt Belloni take a look at the big surprises revealed during Disney’s Q1 earnings call. They also dive into the announcement of ESPN, Warner Bros.
Lorraine Nicholson, Ellen Mirojnick, and Sir Patrick Stewart on The Treat
ArtsLorraine Nicholson talks playdates at Playboy Mansion, Oscar-nominee Ellen Mirojnick talks costuming “Oppenheimer,” and Sir Patrick Stewart has The Treat.
Lost Notes, Season 4 - Ep 3: My Lady’s Frustration: How Fela Kuti Found Afrobeat in LA
ArtsLost Notes explores how Fela Kuti’s time in LA in 1969 was instrumental in the creation of his legendary Afrobeat sound.
Andrew Lincoln, Danai Gurira on ‘The Walking Dead: The Ones Who Live’; ID docuseries alleges years of abuse at Nickelodeon
EntertainmentKim Masters and Matt Belloni discuss the alleged years of abuse and inappropriate behavior on Nickelodeon sets as shown in ID’s new docuseries, Quiet on Set: The Dark Side of Kids TV.
Reality TV workers are burning out and speaking up
EntertainmentReality TV has long been notorious for grueling working conditions, but those in the industry say belt-tightening across Hollywood is making it getting worse.
Writer Tony McNamara on ‘Poor Things’; Disney heirs back Iger in proxy fight
EntertainmentKim Masters and Matt Belloni examine the latest developments in the Disney proxy fight. They also take a look at a peculiar lawsuit filed against CBS Studios and Paramount.
Devon Gilfillian: KCRW Live from Apogee Studio
ArtsDevon Gilfillian transcribes thorny conversations into life-affirming lyrics, exemplified by his 2023 powerhouse “Love You Anyway.”
Tainted Love: Gloria Jones and the Half-Life of a Hit | Lost Notes
MusicLong before “Tainted Love” was an ‘80s anthem, it was a 1965 B-side by LA’s Gloria Jones. We trace the song’s journey from a warehouse floor to the annals of pop history.