Emily received her BA, MA, and MPhil in art history from Columbia. Her dissertation, Poussin and the Dance: Body and Language in Seventeenth-Century France, explores the relationship between Classical French painting and court ballet. She has published essays on Luc-Olivier Merson (in L'Étrange Monsieur Merson, Musée des Beaux-Arts de Rennes, 2008), Jean-Léon Gérôme (in Reconsidering Gérôme, Getty Publications, 2010), and Louis-Léopold Boilly (in Louis-Léopold Boilly, Palais des Beaux-Arts de Lilles, 2011) and has contributed entries on seventeenth- and eighteenth-century French works to a forthcoming catalogue of paintings in the J. Paul Getty Museum.
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