Garrett Tiedemann

We can watch everything in our pajamas. We can do our jobs with unprecedented efficiency. We hate it. We miss movie theaters. We miss big screens. We miss uncomfortable seats.

Are you willing to watch 130 minutes of unfounded self-delight for four minutes of terrific song and dance? Then "The Prom" is the film for you.

Brit Bennett pushes questions of race and color to their extremes in her new novel, The Vanishing Half.

Mattilda Bernstein Sycamore’s new book “The Freezer Door” explores the idea of radical visions not predicated on dominant forms.

With Hollywood fuming following WarnerMedia’s announcement that all its 2021 movies will stream on HBO Max the same they open in theaters, prolific producer Jason Blum weighs in.

George C. Wolfe on power dynamics in ‘Ma Rainey’s Black Bottom’

Jen Craig discusses writing “Panthers and the Museum of Fire,” a short and expansive book that feels immense, rich and complex.

Historian Jon Wiener, who wrote “Conspiracy in the Streets” on the subject of the Netflix film, sets the record straight on this week’s “Scheer Intelligence.”

Those who read to write will want to hear Eileen Myles talk about “For Now,” which is part of the "Why I Write" series from Yale University Press.