Gloria Khamkar

Director Daniel Roher is over the moon with the Oscar nom for his bio-doc “Navalny.” “How bittersweet this experience has been for me personally, as [a] filmmaker,” he affirms.

One (very unauthorized) play about the king of pop had its performance schedule cut short by COVID-19. Now, the show is back on. But like all of us, it’s changed.

As week three of the writer’s strike continues, other unions and guilds show solidarity while studios cut costs to see quarter stock increase.

The Cine-Files and Mark Ramsey dive deep and share personal perspectives about Quentin Tarantino, Pulp Fiction, and public media.

Arlo Parks breaks down the film-centric meaning of new LP “My Soft Machine,” and shares album cuts “Devotion,” “Impurities,” and more — Live From Apogee Studio.

Can stars keep top salaries under current studio’s austerity measures? An agency exec proposes it at the Morgan Stanley TMT Conference.

This week, The Business revisits a conversation with actor Aubrey Plaza and director John Patton Ford about their film “Emily the Criminal.”

San Diego’s Thee Sacred Souls fill HQ with sweet sounds from their 2022 self-titled debut including “Future Lover” and “Love is the Way.”

Out of work and broke, Tarantino spent his time writing. And writing. Rejected for being “too vile!” or “too vulgar!” he finally got his big break – Reservoir Dogs.