Hanh Nguyen

There’s a lot to enjoy about the film, starting with the title’s sly reference to Rudyard Kipling’s “The Man Who Would Be King” and John Huston’s classic screen adaptation.

Matthew Bourne’s “Cinderella” at the Ahmanson is fascinating as much for what it isn’t as for what it is.

In his directorial debut, RaMell Ross ruminates on how black life has been portrayed.

Amazon wants to terminate a deal with Woody Allen, but the director says if Amazon isn't happy with the deal, that's their fault, and the contract should still stand.

Director Adam McKay on the history and heart of former Vice President Dick Cheney in "Vice".

In Taylor Mac’s play “Hir” (spelled H-I-R - more on that in a minute), the old order simply won’t stand.

Karyn Kusama, Phil Hay & Matt Manfredi discuss female rage in "Destroyer."

Remember that cool kid in high school?  The one with the awesome jacket and that effortless edge. He was something of a rebel: used nasty language in just the right way.

It’s a sort of a climax to a kind of a trilogy that began at the turn of the century with “Unbreakable” and includes “Split,” which was released in 2016.