James Galvin

Out of work and broke, Tarantino spent his time writing. And writing. Rejected for being “too vile!” or “too vulgar!” he finally got his big break – Reservoir Dogs.

Director-producer Elizabeth Banks understood the challenges of making the mixed-genre horror-comedy “Cocaine Bear.”

German forester and author Peter Wohlleben explains how trees have a sophisticated method of communication and the ability to feel and heal.

San Diego’s Thee Sacred Souls fill HQ with sweet sounds from their 2022 self-titled debut including “Future Lover” and “Love is the Way.”

Hungarian-born network scientist and author of “The Formula: The Universal Laws of Success,” Albert-László Barabási, explains the disconnect between performance and success, and…

Ecuadorian-Swiss sibling duo Hermanos Gutiérrez unleash their instrumental Latin Western sounds at KCRW, fresh off of their Dan Auerbach-produced 2022 album El Bueno y El Malo.

Steven Yeun discusses his fears in taking “Minari,” why he and his “Beef” co-star broke out in hives after production wrapped, and how Netflix’s offer for the series was too good to…

This week, The Business revisits a conversation with actor Aubrey Plaza and director John Patton Ford about their film “Emily the Criminal.”

Nashville country songstress Margo Price hits KCRW HQ with humor, heartache, and song highlights from her new LP “Strays.”