Jason Reitman

film writer and director

Guest

Jason Reitman on KCRW

Tabloid political coverage can be traced back to the 1988 presidential election when Democratic candidate Gary Hart was having an affair with a young woman named Donna Rice.

‘The Front Runner:’ How personal lives of presidents became fair game to the press

Tabloid political coverage can be traced back to the 1988 presidential election when Democratic candidate Gary Hart was having an affair with a young woman named Donna Rice.

from Press Play with Madeleine Brand

Director Jason Reitman and turntablist Cut Chemist sat down with Jason Bentley to explore songs that have inspired them for KCRW's "Conversations through Music."

Jason Reitman and Cut Chemist

Director Jason Reitman and turntablist Cut Chemist sat down with Jason Bentley to explore songs that have inspired them for KCRW's "Conversations through Music."

from Morning Becomes Eclectic

Jason Reitman

from The Treatment

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ArcLight and Pacific Theater locations all over LA and the country are closed for good now.

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Two recent stories from “The Hollywood Reporter” examine the toxic work environment in Hollywood.

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On this Cesar Chavez Day, Press Play revisits some of our favorite interviews with filmmakers from the year so far.

from Press Play with Madeleine Brand

CEO Ari Emanuel tried to take his company Endeavor public in the fall of 2019.

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Amoeba Music co-owner Jim Henderson speaks with KCRW about surviving the past year, redesigning a record store for the streaming era, and what Amoeba fans can look forward to in the…

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The hero of "Moffie" is a closeted gay conscript in the South Africa of 1981. In addition to the killing arts, he and his fellow draftees are trained in racism and homophobia.

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When the pandemic hit London, director Simon Godwin's National Theatre production of “Romeo & Juliet” shut down before it could open.

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“Godzilla vs. Kong” made $9.6 million at the box office on opening day — a record for the pandemic.

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Political cartoonist Mr. Fish joins Robert Scheer to talk about the death of his art form and his most recent book, “Nobody Left.”

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