Jason Schwartzman

For director Shaunak Sen documentary filmmaking is like a “fever dream,” in that when he starts he “sort of jumps off a cliff.”

Morgan Cooper’s drama “Bel-Air” has the same premise as the 1990s sitcom, but differs in format and characters’ journeys, and relies heavily on music.

Out of work and broke, Tarantino spent his time writing. And writing. Rejected for being “too vile!” or “too vulgar!” he finally got his big break – Reservoir Dogs.

With its latest movie “Ant-Man and the Wasp: Quantumania” getting poor reviews, Marvel Studios may have a creative problem.

New York Times Presents’ reporters and producers Rachel Abrams and Liz Day discuss “Sin Eater: The Crimes of Anthony Pellicano” two-part documentary on FX and Hulu.

One (very unauthorized) play about the king of pop had its performance schedule cut short by COVID-19. Now, the show is back on. But like all of us, it’s changed.

Whether you know it as boba or bubble tea, the drink has taken the world by storm. A new exhibit at the Chinese American Museum LA explores its impact.

Netflix passed on Nancy Meyers’ latest title due to budgetary disagreements. Why did the streamer pull back on a deal with a top filmmaker?

Talking Heads + “Everything Everywhere,” Daniel Avery’s “Ultra Truth” to process “Tár,” and eight more album pairings for the 2023 Best Picture Oscar nominees.