Producer, Scheer Intelligence
PROFILE
Joshua Scheer
Producer
FROM Joshua Scheer
Scheer Intelligence
The Rise and Fall of Women Moviemakers in Hollywood Hollywood historian, film critic and writer Carrie Rickey discusses the lack of women behind the cameras in Hollywood; it wasn’t always so.
Scheer Intelligence
Generation Wealth: The Loss of the Self A deep look at how the accumulation of money has become the greatest goal, even at the peril of the self.
Scheer Intelligence
Howard Bryant: The Heritage The sports journalist discusses his new book on the conflicted progress of black athletes.
Scheer Intelligence
Kimberley Reed and John S. Adams: Dark Money The documentary director and Montana journalist discuss their film about how so-called dark money entered politics in the big sky state.
Scheer Intelligence
Eon McLeary and Manuel Ruiz: The Work The documentary filmmaker and a former prisoner discuss the film about a group therapy program in one of the most infamous prisons in the United States.
Scheer Intelligence
Nate Cardozo: A Golden Age of Surveillance The attorney for the Electronic Frontier Foundation discusses the fight for privacy online.
Scheer Intelligence
Adam Winkler: We The Corporations The UCLA Law professor discusses his newest book about the rights of corporations.
Scheer Intelligence
Sasha Abramsky: Jumping at Shadows The journalist and professor discusses his latest book about how fear has contributed to demagoguery.
Recommended
The Business
In 'Speechless,' Scott Silveri combines comedy, family & disability Scott Silveri has written and produced sitcoms for more than 20 years. In all that time, he never encountered a TV family that looked anything like the one he grew up in -- with a mom, a dad...and a brother with cerebral palsy. He changed that with his show Speechless on ABC. Silveri tells us about looking to his own past for stories, and why he was determined to make a family comedy and not just a "disability show."
Bookworm
George Saunders: Lincoln in the Bardo (Part I) Lincoln in the Bardo dramatizes a grieving President Lincoln as he visits the grave of his beloved son Willie, who died at age eleven. In the novel, the buried dead believe they're not dead -- "they're sick and refer to their coffins as "sick boxes."