Juan Bonigno

Kim and Matt met up the morning after the Oscars to talk "Parasite" making history, Netflix nearly striking out, and hold on, what was Eminem doing there?

The Quibi ad blitz has begun.

The series marked Byrd’s first time music supervising a project.

One of the first books within a huge movement that restored respectability to memoirs,  This Boy’s Life  celebrates its thirtieth anniversary, and Tobias Wolff celebrates thirty years…

Kitty Green's "The Assistant" is audacious in a deadpan way, a #MeToo drama that comes on like an HR video illustrating the responsibilities of an entry-level job.

This is Rob Long, and on today’s Martini Shot I watch a group of people refuse to pay the cover charge at a jazz club and think, I wonder if those people pay for Netflix.

Why does an architect have to be like a “camel in the desert?” Daniel Libeskind explains why in a conversation about his new book “Edge of Order.”

The Netflix series “Cheer” focuses on the stressful lives of junior college cheerleaders fighting for their next national championship.

American independent filmmakers might envy Céline Sciamma, director of the French film, “Portrait of a Lady on Fire.”