FROM Julian Brooks
David Hockney turns 80 David Hockney, "Pearblossom Hwy., 11-18th April 1986, #2, April 11-18," 1986 Collage of chromogenic prints © 1986 David Hockney / Image courtesy Getty Museum The artist David Hockney is considered one of the most important British artists of the twentieth century, but his chosen home Los Angeles played a signative role in forming his work, and changing locals' perception of their city. His work continues to push the envelope of technique and style, while preserving a sense of play. His eightieth birthday this year is being marked with major exhibitions at Tate Modern in London, Pompidou Centre in Paris, and the Getty in Los Angeles. The Getty's two-part exhibition includes self-portraits made over the past sixty-five years and key photographs from the 1980s that investigate time and perspective. DnA speaks to art critic Lawrence Weschler and Getty curator Julian Brooks about Hockney's enduring popularity, and revisits a 2016 interview with the artist at his studio in the Hollywood Hills. You'll hear why he prefers to paint Los Angeles over New York, what he looks for in a person when he starts a portrait. . . and why he still smokes.
Gov. Jerry Brown: California and China will fight climate change together President Donald Trump reportedly wants the U.S. to withdraw from the Paris Climate Accord, and he’s expected to announce a decision soon. California Governor Jerry Brown heads to China to strengthen climate and clean energy ties.
Farewell LA freeways, Peter Shire is back Angelenos don't want more freeways but we seem not to want mass transit either. Metro has killed the 710 freeway extension, and bus and train ridership is down across the region. What's the future of getting around in LA? And, Peter Shire is having a comeback. What attracts a new generation to his playful ceramics and furniture?
How do Trump supporters feel about the Paris Accord? Globally and around the U.S., there are strong opinions whether or not the Paris Climate Accord is a good idea. The American exit is either a horrifying abdication of American leadership or a forceful and long overdue statement about U.S. sovereignty.
George Saunders: Lincoln in the Bardo (Part I) Lincoln in the Bardo dramatizes a grieving President Lincoln as he visits the grave of his beloved son Willie, who died at age eleven. In the novel, the buried dead believe they're not dead -- "they're sick and refer to their coffins as "sick boxes."