Kim Masters

Kim Masters is editor-at-large of The Hollywood Reporter and host of KCRW's The Business. A former correspondent for NPR, she has also served as a contributing editor at Vanity FairTIME and Esquire, and was a staff reporter for The Washington Post. She is the author of The Keys to the Kingdom: The Rise of Michael Eisner and the Fall of Everybody Else, and co-author (with Nancy Griffin) of Hit & Run: How Jon Peters and Peter Guber Took Sony for a Ride in Hollywood. Masters was named Entertainment Journalist of the Year by the Los Angeles Press Club in 2001 and Print Journalist of the Year by the Los Angeles Press Club in 2012. The Business received Gracie Awards for Outstanding Talk Show in 2012 and 2014. In 2018, the Greater Los Angeles Chapter of the Society of Professional Journalists gave Masters its Distinguished Journalist Award. 

 

Kim Masters on KCRW

Disney CEO Bob Iger talks about the company’s many struggles, including his succession, selling ABC, and Marvel troubles during the New York Times’ DealBook Summit.

Serving up ‘Waitress,’ streaming BroadwayHD, and Bob Iger on Disney’s future

Disney CEO Bob Iger talks about the company’s many struggles, including his succession, selling ABC, and Marvel troubles during the New York Times’ DealBook Summit.

from The Business

CEO Linda Yaccarino was brought on board at X ostensibly to temper Elon Musk's antics and soothe advertiser fears. It hasn’t gone well.

Following Linda Yaccarino’s rocky tenure leading social media giant X

CEO Linda Yaccarino was brought on board at X ostensibly to temper Elon Musk's antics and soothe advertiser fears. It hasn’t gone well.

from Press Play with Madeleine Brand

Kim Masters and Matt Belloni discuss what’s shaping up to be a lean holiday box office and what success for movies looks like — and how it’s perceived — when it comes to theatrical…

Justine Bateman, Duncan Crabtree-Ireland on AI contract language; Hollywood’s lean holiday box office

Kim Masters and Matt Belloni discuss what’s shaping up to be a lean holiday box office and what success for movies looks like — and how it’s perceived — when it comes to theatrical…

from The Business

More from KCRW

Branford Marsalis on scoring “Rustin,” Scott Simon on Nazi propaganda jazz, and Nahnatchka Khan on The Treat.

from The Treatment

First, HBO CEO Casey Bloys asked staffers to create fake Twitter accounts to fight critics of the network. What’s all the attention about? Plus, will Disney finally buy Hulu?

from The Business

For some teens nationwide, LinkedIn is currently the hot social media platform, not TikTok or Instagram. That’s according to Anya Kamenetz, a writer who covers parenting.

from Press Play with Madeleine Brand

Critics review the latest film releases: “The Marvels,” “Dream Scenario,” “It’s a Wonderful Knife,” “A Still Small Voice.”

from Weekend Film Reviews

After 118 days, the Screen Actors Guild negotiators have unanimously approved an agreement with the studios.

from Greater LA

Leslie Odom, Jr. talks “Purlie Victorious,” “LA Times” TV critic Lorraine Ali breaks down Suzanne Somers’ pay equity quests, and Owen Wilson does “The Treat.”

from The Treatment

SAG-AFTRA reaches a tentative deal with studios after 118 days on strike. Was the deal a win? What is in it? Plus, WBD and Disney earnings news.

from The Business

NewGround promotes relations and dialogue between Jews and Muslims in Los Angeles. The group calls itself “a convener.” running trainings and classes promoting interfaith engagement.

from Greater LA

Weeks after the end of cash bail for non-violent and non-serious crimes, reformers and LA Superior Court say the system is working. But the change has its critics.

from Greater LA