Quincy Jones on KCRW
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Watch Danielle Ponder perform new single “Roll The Credits” Live From KCRW HQ
ArtsSoul songstress Danielle Ponder drops fan favorite “Roll The Credits” as a single, and we’re sharing the epic video of her playing the song Live From KCRW HQ.
Young Creators Project: Artist Sterling Molldrem (aka Silverstreetz) wants his mural art to have attitude
ArtsKCRW showcases young visual artist Sterling Molldrem. The 17-year-old muralist talks about his painting “BALI.”
1500 troops to the border: Biden took page out of Trump’s playbook?
PoliticsWill sending troops to the Mexico border worsen the immigration crisis? A conflict in Sudan has no end in sight. Plus Hollywood writers go on strike.
The Church brings influential space-rock live to KCRW HQ
ArtsLegendary Australian psych-rockers The Church play a set of atmospheric gems and share the story behind their new album, “The Hypnogogue.”
Encore: ‘The Great’ creator on swearing, sex and ‘fun’ violence in 1700s Russia
EntertainmentAs week three of the writer’s strike continues, other unions and guilds show solidarity while studios cut costs to see quarter stock increase.
San Diego souldies crew Thee Sacred Souls: KCRW Live from HQ
ArtsSan Diego’s Thee Sacred Souls fill HQ with sweet sounds from their 2022 self-titled debut including “Future Lover” and “Love is the Way.”
Abraham Josephine Riesman, Benjamin Millepied, and Kristen Anderson-Lopez and Robert Lopez on The Treat
EntertainmentThis week on The Treatment, Elvis welcomes writer Abraham Josephine Riesman, author of “True Believer: The Rise and Fall of Stan Lee” and her latest, “Ringmaster: Vince McMahon and the…
Steven Yeun on working on dark comedy series ‘Beef,’ making ‘Minari’
EntertainmentSteven Yeun discusses his fears in taking “Minari,” why he and his “Beef” co-star broke out in hives after production wrapped, and how Netflix’s offer for the series was too good to…
Inside LA’s vibrant Asian American and Native American theater scenes
TheaterAsian American artists in LA are working to break apart the “Asian American monolith” by telling more nuanced stories and experimenting with form.