Robert Kessel

Executive VP of Production and Acquisitions, Overture Films

Guest

Former producer and acquisition executive for Hart Sharp Entertainment and Miramax; New York-based Executive Vice President of Production and Acquisitions for Overture Films

Robert Kessel on KCRW

What's a Producer Do?; Hollywood-Washington Update

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Critics review the latest film releases: “Abigail,” “The Ministry of Ungentlemanly Warfare,” “We Grown Now,” and “The People's Joker.”

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A year ago, living in Miami, Lēya Graham’s passion for dance was waning. Then she discovered the Debbie Allen Dance Academy in LA, which served as a lifeline.

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Lost Notes explores how Fela Kuti’s time in LA in 1969 was instrumental in the creation of his legendary Afrobeat sound.

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“The People’s Joker” filmmaker Vera Drew turns queer superhero subtext into text, The Folio Society’s James Rose talks 85 years of Batman, Calmatic has The Treat.

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Alan Poul talks “Tokyo Vice,” Stephen Ujlaki breaks down the rising calls for American Christian nationalism, and Taraji P. Henson has our Treat.

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Vince Staples gets absurd for Netflix, author Philip Gefter goes deep on “Who’s Afraid of Virginia Woolf?,” and Lulu Wang has our Treat.

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Lost Notes introduces a pair of brothers - one from NASA, the other from Motown - who launched an entire musical universe from their Hollywood Hills hideout.

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The latest film releases are Ghostbusters: Frozen Empire, Shirley, The American Society of Magical Negroes, and Carol Doda Topless at the Condor.

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Elisabeth Moss fills us in on “The Veil”, Diarra Kilpatrick opens up about her latest creation “Diarra From Detroit”, and Thom Zimny has The Treat.

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