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Ruth E. Carter
Ruth E. Carter

costume designer, “Black Panther”

costume designer, “Black Panther”

FROM Ruth E. Carter

Design and Architecture

Dressing Wakanda: Ruth E. Carter, fashion and black empowerment Ruth E. Carter has been celebrated for her bold, colorful costumes for Marvel’s blockbuster “Black Panther.” She has worked on a number of films that tell aspects of the African-American story, including Spike Lee’s movies; also Malcolm Lee’s movies, “Selma” by Ava Duvernay, “Malcolm X,” “What’s Love Got To Do With It” and many others. “I think I've always wanted to rewrite or recreate black history,” Carter told DnA. She joined “Black Panther” director Ryan Coogler and production designer Hannah Beachler to create a believable Afrofuturist vision, based on a “Wakandan Bible. It was like 500 pages, and we knew what each district of Wakanda was called. It had its own Wakandan name. There was a Wakandan language. There was a vibe to each district.” She used the red, green and black colors of the Pan-African flag as “a celebration of black empowerment and black authorship.” She also tapped contemporary fashion designers of African descent, like Ozwald Boateng and Walé Oyéjidé, founder of Ikiré Jones, to bring the fictional world of Wakanda to life. Wakanda, she said, “was a celebration not only for African-Americans but also for Africans. Because we not only celebrated the African diaspora here in this country, we celebrated the cultures of Africa which I think are also disappearing.” This week she’ll be given The ICON Award at the Los Angeles Design Festival. It’s an honor that “recognizes a singular woman for her contributions to her industry, city, and society at large.” DnA spoke to Carter about her costumes for the citizens of Wakanda, and what it means to be creating an identity on screen for a community that has long been left out of the picture. Ruth E. Carter, costume designer for “Black Panther” and many other films, will be recognized with the ICON Award at the LA Design Festival on Thursday, June 7. Photo credit: Frances Anderton.

11 MIN, 18 SEC Jun 05, 2018

Design and Architecture

Designing “Crazy Rich Asians” This week the first full-length trailer was released for “Crazy Rich Asians,” a film opening in August. It’s based on the bestselling rom-com of the same name by Kevin Kwan. “It's really the Downton Abbey of Asia. This is a family story it's about a ridiculously rich clan that's been privileged for generations,” Kwan said. The book details the relationship of Rachel Chu, an American-born Chinese woman, who falls in love with Nicholas Young, a fellow professor at NYU. When he invites her to a wedding in Singapore, Kwan says, what she assumes is just a summer holiday turns into “Pride and Prejudice in Asia” when she realizes “his family is richer than God and he's sort of the Prince William of Singapore, or of Asia, really.” The popular novel invites readers “to just see the clash of cultures and get a peek behind the scenes of this very privileged class of people that exist in Asia,” Kwan says, and he worked with the film’s costume designer Mary Vogt and production designer Nelson Coates to get the fashion and food and sets just right. “Basically you try to become the expert in whatever your subject matter is,” Coates tells DnA, adding that it was an “unbelievable, unabashed joy” to work on this movie. He had to do extensive research into the fashions, art and tastes of the Chinese diaspora, including the specifics of the old Peranakan culture in what is now Singapore. This promoted DnA to ask if below the line talent such as designers should hail from the community the movie depicts. After all, issues of identity are front and center right now, in the era of #OscarsSoWhite and the Academy’s campaign to boost diversity. And the relevance of identity to design is going to be a focus of upcoming DnA shows. Coates says that even as a good designer can do the research, he’s certainly been thinking about this issue in his role as head of the Art Directors Guild. “As designers we should be able to go beyond just our particular cultural touch points,” he said. “I've always hired a colorblind crew. That's always been a very, very strong concern for me. Just because you get different perspectives.” Michelle Yeoh in Crazy Rich Asians (2018). Photo by Sanja Bucko - © 2017 WARNER BROS. ENTERTAINMENT INC. AND SK GLOBAL ENTERTAINMENT

14 MIN, 1 SEC Apr 24, 2018

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