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    The Business

    Darren Aronofsky on Making 'Noah'

    Filmmaker Darren Aronofsky's Noah was never going to be a Sunday School version of the famous flood. The auteur director behind Black Swan, The Wrestler and Requiem for a Dream approached the biblical epic as a mystical tale of one man at the center of an apocalypse. It was by far the largest budget Aronofsky had ever worked with.

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    By Kim Masters • May 10, 2014 • 1 min read

    Filmmaker Darren Aronofsky's Noah was never going to be a Sunday School version of the famous flood. The auteur director behind Black Swan, The Wrestler and Requiem for a Dream approached the biblical epic as a mystical tale of one man at the center of an apocalypse. It was by far the largest budget Aronofsky had ever worked with. As is its practice on $125 million films, Paramount showed the unfinished movie to test audiences. The visual effects appeared as cartoons and the audiences didn't get it. So the studio re-cut alternate versions and tested those. None fared better with audiences than Aronofsky's, so Parmount released his version. The filmmaker talks about the process, saying he was scared but had faith in his vision.

    The full episode

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    Darren Aronofsky on Making 'Noah'
    1. 0:00Hollywood News Banter
    2. 8:15Darren Aronofsky on Making 'Noah'You’re reading this
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      Kim Masters

      partner/writer at Puck News, host of KCRW's “The Business.”

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      John Horn

      Los Angeles Times

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      Darby Maloney

      Producer

    • KCRW placeholder

      Darren Aronofsky

      filmmaker

      CultureEntertainmentArts

    The full episode

    2 of 2
    Darren Aronofsky on Making 'Noah'
    1. 0:00Hollywood News Banter
    2. 8:15Darren Aronofsky on Making 'Noah'You’re reading this
    Back to The Business