Listen Live
Donate
 on air
    Schedule

    KCRW

    Read & Explore

    • News
    • Entertainment
    • Food
    • Culture
    • Events

    Listen

    • Live Radio
    • Music
    • Podcasts
    • Full Schedule

    Information

    • About
    • Careers
    • Help / FAQ
    • Newsletters
    • Contact

    Support

    • Become a Member
    • Become a VIP
    • Ways to Give
    • Shop
    • Member Perks

    Become a Member

    Donate to KCRW to support this cultural hub for music discovery, in-depth journalism, community storytelling, and free events. You'll become a KCRW Member and get a year of exclusive benefits.

    DonateGive Monthly

    Copyright 2026 KCRW. All rights reserved.

    Report a Bug|Privacy Policy|Terms of Service|
    Cookie Policy
    |FCC Public Files|

    Back to The Business

    The Business

    Thomas Kail, director of 'Grease: Live'

    As Grease: Live opens, performer Jessie J sings “Grease is the Word” as she winds her way through bustling high school sets, backstage hallways, dressing rooms and even outdoors in one long, single shot.

    • rss
    • Share
    By Kim Masters • Aug 19, 2016 • 1 min read

    As Grease: Live opens, performer Jessie J sings “Grease is the Word” as she winds her way through bustling high school sets, backstage hallways, dressing rooms and even outdoors in one long, single shot.

    That dynamic opening set the pace for the rest of the live production, which premiered on Fox in January of this year. Grease: Live is the most recent production in a spate of musical revivals embraced by broadcast networks in search of the high ratings that come with live events.

    More than 12 million people tuned in to watch Rydell High’s Sandy and Danny, played by Julianne Hough and Aaron Tveit, reminisce on those summer nights, be born to hand jive, and of course, experience an electrifying carnival connection.

    Grease: Live is a technically complex production that’s constantly in motion. Cameras follow a large cast over multiple locations and incorporate an audience that’s actually sitting on set. The show received 10 Emmy nominations, including one for our guest, director Thomas Kail.

    Kail is also the Tony-winning director of Lin-Manuel Miranda’s Broadway juggernaut Hamilton. Before that, he directed Miranda’s first Broadway musical, In the Heights.

    When Kail recently talked to host of The Business, Kim Masters, he recalled that his very first encounter with Miranda--while they were both students at Wesleyan--wasn’t exactly positive. Fortunately, they would go on to reconnect after Kail graduated.

    • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

      Kim Masters

      partner/writer at Puck News, host of KCRW's “The Business.”

    • KCRW placeholder

      Michael Schneider

      Senior editor at Variety

    • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

      Kaitlin Parker

      Producer, 'The Business' and 'Hollywood Breakdown'

    • KCRW placeholder

      Thomas Kail

      Film Director

      CultureEntertainmentArts
    Back to The Business