Listen Live
Donate
 on air
    Schedule

    KCRW

    Read & Explore

    • News
    • Entertainment
    • Food
    • Culture
    • Events

    Listen

    • Live Radio
    • Music
    • Podcasts
    • Full Schedule

    Information

    • About
    • Careers
    • Help / FAQ
    • Newsletters
    • Contact

    Support

    • Become a Member
    • Become a VIP
    • Ways to Give
    • Shop
    • Member Perks

    Become a Member

    Donate to KCRW to support this cultural hub for music discovery, in-depth journalism, community storytelling, and free events. You'll become a KCRW Member and get a year of exclusive benefits.

    DonateGive Monthly

    Copyright 2026 KCRW. All rights reserved.

    Report a Bug|Privacy Policy|Terms of Service|
    Cookie Policy
    |FCC Public Files|

    Back to The Organist

    The Organist

    Episode 72: Baptism of Solitude: Paul Bowles's Morocco Tapes

    Driving around Morocco in the late 1950s with counterculture icon Paul Bowles at the wheel, with a case of hot Pepsi, a brick of hash, and a massive, state-of-the-art Ampex tape recorder in the backseat.

    • rss
    • apple-podcasts
    • spotify
    • Share
    By Andrew Leland • Feb 9, 2017 • 29m Listen

    The novelist and countercultural icon Paul Bowles -- author of The Sheltering Sky, friend to William Burroughs, Gertrude Stein, and Tennessee Williams, and husband of the brilliant writer Jane Bowles -- lived in Tangier from 1947 until his death fifty-two years later. In 1959, he received a grant from the Library of Congress to “preserve” the music of Morocco. He set off in a VW bug (with his two driving companions, a Moroccan and a Canadian), laden with a massive Ampex tape recorder, bottles of hot Pepsi, and a pound of hashish. These remarkable recordings have long been unavailable, but last year, the label Dust-to-Digital released them as a deluxe box set. The Organist asked the writer Brian Edwards to listen to the tapes, and to tell Bowles’s remarkable story. Brian went through hours of recordings dozens of times, and sent back this report, which raises important questions about the problems— artistic, technical, and of course ethical — of recording a music you love in a country that’s not your own.

    Produced by Myke Dodge Weiskopf

    Written by Brian T. Edwards

    Brian T. Edwards

    Bowles Marakesh — Credit: Courtesy Allen Ginsberg Estate / Dust-to-Digital

    Bowles-older — Credit: Courtesy Irene Herrmann / Dust-to-Digital

    Line of singers w Qraqab cymbals 1 drum — Credit: Courtesy Dust-to-Digital / Library of Congress

    Double horn group by building — Credit: Courtesy Dust-to-Digital / Library of Congress

    Musicians in front-men with guns behind — Credit: Courtesy Dust-to-Digital / Library of Congress

    Foothills-figure by fortress — Credit: Courtesy Dust-to-Digital / Library of Congress

    VW bug along mtn road with small group — Credit: Courtesy Dust-to-Digital / Library of Congress

    Loc-Map — hand-drawn map by Paul Bowles, showing his itinerary through Morocco in 1959, aboard a VW Beetle, filled with recording equipment, supplies, and recording team — Credit: Courtesy Dust-to-Digital / Library of Congress

    Tangier Group (burroughs, bowles, ginsberg) — Credit: Courtesy Allen Ginsberg Estate / Dust-to-Digital

    Music in this episode is from Music of Morocco: Recorded by Paul Bowles, 1959.

    The Organist’s theme music is by Barry London of Oneida.

    • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

      Andrew Leland

      author of “The Country of the Blind: A Memoir At The End Of Sight”

    • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

      Myke Dodge Weiskopf

      Senior Producer, Music

      CultureArts
    Back to The Organist