Listen Live
Donate
 on air
Schedule

KCRW

Read & Explore

  • News
  • Entertainment
  • Food
  • Culture
  • Events

Listen

  • Live Radio
  • Music
  • Podcasts
  • Full Schedule

Information

  • About
  • Careers
  • Help / FAQ
  • Newsletters
  • Contact

Support

  • Become a Member
  • Become a VIP
  • Ways to Give
  • Shop
  • Member Perks

Become a Member

Donate to KCRW to support this cultural hub for music discovery, in-depth journalism, community storytelling, and free events. You'll become a KCRW Member and get a year of exclusive benefits.

DonateGive Monthly

Copyright 2026 KCRW. All rights reserved.

Report a Bug|Privacy Policy|Terms of Service|
Cookie Policy
|FCC Public Files

Trent Reznor Talks Girl With the Dragon Tattoo on KCRW

Trent Reznor paid us a visit last year to talk about his work on The Social Network, his first effort as a composer, which earned him and partner Atticus Ross…

  • Share
By Rachel Reynolds • Dec 19, 2011 • 1 min read

The Social Network, his first effort as a composer, which earned him and partner Atticus Ross a Golden Globe and Academy Award.

Trent told Jason Bentley today on Morning Becomes Eclectic that said the rewards were “unexpected and flattering” since they had veered into a world where they “didn’t know what they were doing” and were just following their instincts. But he seems to be on a roll considering the great things we’ve heard about his latest project – the soundtrack for David Fincher’s hotly anticipated adaptation of Steig Larsson’sThe Girl With The Dragon Tattoo.

Fincher also directed The Social Network and Trent talks about the “immense amount of mutual respect” they have for each other. He says they started experimenting before Fincher started shooting the film in Sweden. They created over an hour of music before ever reading a script, just based on the book. The benefit is that the music could be “woven in with everything else right from the beginning”. However, Trent says they’ve done nothing for the last year except work on the film – refining, revising and changing the music.

He says they goal was to create a score that would disappear into the film, so it “spills over into sound design” with the exception, it seems, of the track that opens the film, a cover of Led Zeppelin’s “Immigrant Song” featuring vocals from Karen O. The idea came from Fincher, who suggested doing a “really aggressive cover” of the track. Trent said, at the time, he thought covering the classic song seemed like a “recipe for failure” but clearly it worked!

Foo Fighters’ Dave Grohl recently talked to the Hollywood Reporter about Trent, saying “it’s safe to say that he is my generation’s most talented musician-producer-songwriter.” It’s a pretty gigantic statement to make, but it’s hard to disagree. It’s really exciting to see a musician like Reznor exploring new territories and he seems to be enjoying it too.

Check out the full interview in the archives here.

RR

  • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

    Rachel Reynolds

    Producer, 'Morning Becomes Eclectic'

    Music NewsLive Performances