Listen Live
Donate
 on air
Schedule

KCRW

Read & Explore

  • News
  • Entertainment
  • Food
  • Culture
  • Events

Listen

  • Live Radio
  • Music
  • Podcasts
  • Full Schedule

Information

  • About
  • Careers
  • Help / FAQ
  • Newsletters
  • Contact

Support

  • Become a Member
  • Become a VIP
  • Ways to Give
  • Shop
  • Member Perks

Become a Member

Donate to KCRW to support this cultural hub for music discovery, in-depth journalism, community storytelling, and free events. You'll become a KCRW Member and get a year of exclusive benefits.

DonateGive Monthly

Copyright 2025 KCRW. All rights reserved.

Report a Bug|Privacy Policy|Terms of Service|
Cookie Policy
|FCC Public Files

Back to Art Talk

Art Talk

Teotihuacan at LACMA

Hunter Drohojowska-Philp says that City and Cosmos offers a sense of both at the ancient pyramids of Mexico.

  • rss
Download MP3
  • Share
By Hunter Drohojowska-Philp • Mar 30, 2018 • 3m Listen

Teotihuacan meant City of the Gods and so it must have appeared to anyone from 2,000 years ago. Three giant stone pyramids erected for worship along with elaborately decorated compounds to house the ruling class were built on a site of some nine square miles in what is now central Mexico. With a population of some 100,000, it was the largest urban center in the Americas. The Sun Pyramid rises to more than 200 feet, as anyone who has climbed those narrow stone steps to the top can attest.

View of Teotihuacan, Photograph by Jorge Pérez de Lara Elías, © INAH

Flowering Tree, detail from Feathered Serpent and Flowering Trees Mural,Techinantitla residential compound, Teotihuacan, Mexico, 500-550, Earthen aggregate, stucco and mineral pigments, 13 x 21 1/4 x 1 3/8 in. (33 x 54 x 3.5 cm), Museo Nacional de Antropología/ INAH, 10-626966, Archivo Digital de la Colecciones del Museo Nacional de Antropología / INAH-CANON

Inside was the emulation of a cosmic underworld covered in reflective stone and containing small sculptures, mostly offerings to the Storm Gods, that had been preserved there for some 1800 years.

Standing Figure, Tlalocan [tunnel under Feathered Serpent Pyramid], Teotihuacan, Mexico, 200–250, Greenstone, 18 1/2 × 7 1/2 in. (47 × 19 cm), Zona de Monumentos Arqueológicos de Teotihuacán / INAH, [Proyecto Tlalocan], Photograph by Jorge Pérez de Lara Elías, © INAH

Mosaic Jaguar, Xalla residential compound, Teotihuacan, Mexico, 400, Volcanic stone, stucco, and pigments, 38 3/8 x 92 3/4 x 29 1/4 in. (97.5 x 235.5 x 74.5 cm), Museo Nacional de Antropología/ INAH (10-626269), Archivo Digital de la Colecciones del Museo Nacional de Antropología / INAH-CANON

Standing Figure, 500–550, Calcite marble, 50 3/8 × 18 1/8 × 7 7/8 in., Museo Nacional de Antropología/INAH, 10-642614, Archivo Digital de la Colecciones del Museo Nacional de Antropología/INAH-CANON

Around 550 CE, the ceremonial center of Teotihuacan was burned and many of the grand ritual objects were savagely destroyed including a very large marble marble figure found in the the Xalla compound, likely the location of workshops for craftsmen of all sorts.

through July 15.

  • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

    Hunter Drohojowska-Philp

    Contributor, 'Art Talk'

  • https://images.ctfassets.net/2658fe8gbo8o/AvYox6VuEgcxpd20Xo9d3/769bca4fbf97bf022190f4813812c1e2/new-default.jpg?h=250

    Benjamin Gottlieb

    Reporter, Fill-in Host

    CultureArts
Back to Art Talk